"It's funny to be a critic"
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There is a small, barbed grin tucked into Fiedler's line: criticism is comedy, and the critic is never entirely serious even when sounding solemn. "It's funny" lands as both judgment and confession. The critic is paid to find faults, to expose pretension, to puncture inflated reputations; the job is structurally parasitic on other people's earnestness. That asymmetry is where the humor lives. Artists sweat in private, audiences believe in public, and the critic arrives with the clean suit of hindsight, turning devotion into copy.
Fiedler, a mid-century American critic who delighted in breaking the pieties of literary culture, also hints at criticism as performance. To be a critic is to cultivate a persona: the taste-maker, the scold, the evangelist, the impish contrarian. The best critics know that their authority is partly theatrical. They persuade not only with evidence but with timing, voice, and the pleasure of watching someone think sharply on the page. "Funny" signals wit as method: not a garnish, but a way to disarm readers, to smuggle difficult judgments past tribal loyalty.
The subtext is a jab at criticism's moral alibi. Critics often frame themselves as guardians of standards, but Fiedler reminds you the role also gratifies: power without responsibility, verdict without having to build the thing being judged. He makes the vocation sound like a joke because it is one - and because acknowledging that joke is what keeps the critic honest.
Fiedler, a mid-century American critic who delighted in breaking the pieties of literary culture, also hints at criticism as performance. To be a critic is to cultivate a persona: the taste-maker, the scold, the evangelist, the impish contrarian. The best critics know that their authority is partly theatrical. They persuade not only with evidence but with timing, voice, and the pleasure of watching someone think sharply on the page. "Funny" signals wit as method: not a garnish, but a way to disarm readers, to smuggle difficult judgments past tribal loyalty.
The subtext is a jab at criticism's moral alibi. Critics often frame themselves as guardians of standards, but Fiedler reminds you the role also gratifies: power without responsibility, verdict without having to build the thing being judged. He makes the vocation sound like a joke because it is one - and because acknowledging that joke is what keeps the critic honest.
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| Topic | Witty One-Liners |
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