"It's funny; we never had anything like credibility. Even though we all have some sort of punk-rock background, but so what? I really don't care about that. What's credibility anyway? Who has credibility?"
About this Quote
Credibility is supposed to be the rock world’s hard currency, but Mark McGrath treats it like monopoly money. The line is delivered with a shrug that’s doing real work: it punctures the idea that authenticity is something you can earn, bank, and spend. When he says they “never had anything like credibility,” he’s not confessing failure so much as refusing the premise. Even the nod to a “punk-rock background” comes with an eye-roll - a preemptive strike against the gatekeepers who treat origin stories like purity tests.
The subtext is a collision between two eras of music culture. Punk once marketed itself as anti-market, then got converted into a badge you could flash to prove you weren’t one of “those” mainstream acts. McGrath, fronting a band often filed under radio-friendly late-’90s alternative, knows exactly where the knives come from: critics and scene loyalists who rank artists by perceived sincerity rather than by what the songs actually do to people. His “so what?” is a rejection of inherited cool.
“What’s credibility anyway? Who has credibility?” turns the accusation outward. It exposes the arbitrariness of the credentialing system - the way the same industry that sells rebellion also appoints referees to judge who’s allowed to be real. McGrath’s intent isn’t to argue he deserves the stamp. It’s to question why anyone should want it in the first place, especially when the crowd is singing along.
The subtext is a collision between two eras of music culture. Punk once marketed itself as anti-market, then got converted into a badge you could flash to prove you weren’t one of “those” mainstream acts. McGrath, fronting a band often filed under radio-friendly late-’90s alternative, knows exactly where the knives come from: critics and scene loyalists who rank artists by perceived sincerity rather than by what the songs actually do to people. His “so what?” is a rejection of inherited cool.
“What’s credibility anyway? Who has credibility?” turns the accusation outward. It exposes the arbitrariness of the credentialing system - the way the same industry that sells rebellion also appoints referees to judge who’s allowed to be real. McGrath’s intent isn’t to argue he deserves the stamp. It’s to question why anyone should want it in the first place, especially when the crowd is singing along.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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