"It's important to address young people in the reopening of New Orleans. In rebuilding, let's revisit the potential of American democracy and American glory"
About this Quote
Marsalis isn’t just talking about bricks and levees; he’s talking about who gets to inherit a city after catastrophe. Coming out of Hurricane Katrina’s wreckage, “reopening” wasn’t a neutral civic project. It was a political sorting mechanism: who returns, who’s priced out, who’s blamed, and whose culture gets repackaged for tourists. By naming young people first, Marsalis aims straight at the fault line of recovery. If the next generation is sidelined, the rebuild becomes a museum restoration for outsiders, not a living community with a future.
The phrase “address young people” does quiet double duty. It means practical investment (schools, jobs, safety), but it also means moral recognition. Post-Katrina narratives often treated youth as a problem to manage rather than citizens to cultivate. Marsalis flips that script: the legitimacy of the recovery hinges on whether the city makes room for its kids, not just its real estate.
Then he escalates: “revisit the potential of American democracy and American glory.” That’s a musician’s move, taking a local riff and opening it into a national theme. “Revisit” implies we’ve heard this melody before and failed to play it cleanly. Katrina exposed democratic breakdowns in real time - abandonment, racialized neglect, bureaucratic indifference. Marsalis uses New Orleans as a test case: if a country can’t rebuild its most culturally rich, historically Black city with its youth at the center, “American glory” is just branding, not achievement.
The phrase “address young people” does quiet double duty. It means practical investment (schools, jobs, safety), but it also means moral recognition. Post-Katrina narratives often treated youth as a problem to manage rather than citizens to cultivate. Marsalis flips that script: the legitimacy of the recovery hinges on whether the city makes room for its kids, not just its real estate.
Then he escalates: “revisit the potential of American democracy and American glory.” That’s a musician’s move, taking a local riff and opening it into a national theme. “Revisit” implies we’ve heard this melody before and failed to play it cleanly. Katrina exposed democratic breakdowns in real time - abandonment, racialized neglect, bureaucratic indifference. Marsalis uses New Orleans as a test case: if a country can’t rebuild its most culturally rich, historically Black city with its youth at the center, “American glory” is just branding, not achievement.
Quote Details
| Topic | Youth |
|---|---|
| Source | Help us find the source |
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