"It's in the vein, somewhere in a cross between The Beatles, Cheap Trick, The Stones, Badfinger, you know, but it's not retro at all. But it is very pop"
About this Quote
Steve Brown’s quote is the classic rock musician’s tightrope walk: name-drop your lineage to signal credibility, then insist you’re not cosplay. By triangulating The Beatles, Cheap Trick, The Stones, and Badfinger, he’s sketching a very specific map of “classic” pop-rock craft - big choruses, lean guitars, melodic basslines, hooks that feel engineered but effortless. It’s a shorthand aimed at listeners and industry people who sort music in their heads by reference points, not BPM.
The defensive pivot - “but it’s not retro at all” - is the tell. Brown knows the trap: in 2020s rock discourse, “retro” can read as “museum piece,” a band playing dress-up in a thrifted decade. So he frames the influences as DNA rather than costume. The phrase “in the vein” does a lot of work here: it suggests bloodstream, inheritance, something living, not a replica.
Then comes the real thesis: “But it is very pop.” That’s not an apology; it’s a declaration of intent. He’s staking out a space where “pop” means songcraft and immediacy, not genre allegiance. The subtext is commercial and cultural at once: this is music built to land fast, to be hummed, to cut through playlists - while still earning rock-guy respect. It’s a pitch for timelessness without nostalgia, the hardest sell in guitar music today.
The defensive pivot - “but it’s not retro at all” - is the tell. Brown knows the trap: in 2020s rock discourse, “retro” can read as “museum piece,” a band playing dress-up in a thrifted decade. So he frames the influences as DNA rather than costume. The phrase “in the vein” does a lot of work here: it suggests bloodstream, inheritance, something living, not a replica.
Then comes the real thesis: “But it is very pop.” That’s not an apology; it’s a declaration of intent. He’s staking out a space where “pop” means songcraft and immediacy, not genre allegiance. The subtext is commercial and cultural at once: this is music built to land fast, to be hummed, to cut through playlists - while still earning rock-guy respect. It’s a pitch for timelessness without nostalgia, the hardest sell in guitar music today.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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