"It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon"
About this Quote
Underwood isn’t romanticizing voice work; he’s normalizing it. The key move is that casual, almost shrugging phrase: “just different discipline.” Coming from an on-camera actor with recognizability and status, the line quietly dismantles the hierarchy that treats voice-over as lesser, as if the “real” acting happens only when your face is doing the labor. He frames it as craft, not detour.
The repetition of “just” does two things at once. It deflates any diva mythology around switching mediums, and it signals a working actor’s mindset: this is a job, a skill set, a muscle you train. Underwood’s “I guess” and the approximate count (“about 5 or 6”) keep the tone unpretentious, but the subtext is credentialing. He’s telling you he has reps. Audiobooks aren’t throwaway gigs; they demand stamina, character differentiation, and a kind of emotional continuity without the crutches of costume, blocking, or reaction shots. Saying he’s done several positions him as someone who knows the grind.
Dropping Nickelodeon and Fatherhood adds another layer: cultural reach. Animation and kids’ networks are where performers become voices in the literal sense - embedded in households, replayed endlessly, heard by audiences who may not even know the actor’s name. It’s a different kind of fame: less glamorous, more pervasive.
The intent reads practical but strategic: expand the definition of “actor,” underline versatility, and quietly argue that the voice isn’t a side hustle. It’s a parallel stage.
The repetition of “just” does two things at once. It deflates any diva mythology around switching mediums, and it signals a working actor’s mindset: this is a job, a skill set, a muscle you train. Underwood’s “I guess” and the approximate count (“about 5 or 6”) keep the tone unpretentious, but the subtext is credentialing. He’s telling you he has reps. Audiobooks aren’t throwaway gigs; they demand stamina, character differentiation, and a kind of emotional continuity without the crutches of costume, blocking, or reaction shots. Saying he’s done several positions him as someone who knows the grind.
Dropping Nickelodeon and Fatherhood adds another layer: cultural reach. Animation and kids’ networks are where performers become voices in the literal sense - embedded in households, replayed endlessly, heard by audiences who may not even know the actor’s name. It’s a different kind of fame: less glamorous, more pervasive.
The intent reads practical but strategic: expand the definition of “actor,” underline versatility, and quietly argue that the voice isn’t a side hustle. It’s a parallel stage.
Quote Details
| Topic | Career |
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