"It's like kill or be killed, that's my thing basically"
About this Quote
"Kill or be killed" lands with the blunt force of a B-movie tagline, which is exactly why it sticks: it’s not a polished life philosophy, it’s a pressure valve. Coming from Lucy Liu, an actress who broke through in an era that happily typecast Asian women as either ornamental or ominous, the line reads less as bloodlust than as survival shorthand. She’s naming a workplace logic that rarely advertises itself so honestly: compete relentlessly, self-advocate loudly, and don’t expect the system to protect you.
The throwaway qualifier, "that’s my thing basically", matters. It undercuts the macho absolutism and reframes it as a persona - an armor she can put on and take off. There’s swagger here, but also a wink at the melodrama of the phrase itself. Liu has built a career toggling between high-gloss action (Charlie’s Angels, Kill Bill) and sharper, more controlled performances (Elementary). In that arc, "kill or be killed" becomes an aesthetic and a coping mechanism: play the assassin, sure, but also channel the discipline behind it.
The subtext is about scarcity. Hollywood’s opportunities, especially for women and for women of color, are often presented as a single-seat game of musical chairs. In that context, the line functions as both confession and critique: if you want me to be ruthless to last, don’t pretend you didn’t design the arena.
The throwaway qualifier, "that’s my thing basically", matters. It undercuts the macho absolutism and reframes it as a persona - an armor she can put on and take off. There’s swagger here, but also a wink at the melodrama of the phrase itself. Liu has built a career toggling between high-gloss action (Charlie’s Angels, Kill Bill) and sharper, more controlled performances (Elementary). In that arc, "kill or be killed" becomes an aesthetic and a coping mechanism: play the assassin, sure, but also channel the discipline behind it.
The subtext is about scarcity. Hollywood’s opportunities, especially for women and for women of color, are often presented as a single-seat game of musical chairs. In that context, the line functions as both confession and critique: if you want me to be ruthless to last, don’t pretend you didn’t design the arena.
Quote Details
| Topic | Savage |
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