"It's like your children talking about holidays, you find they have a quite different memory of it from you. Perhaps everything is not how it is, but how it's remembered"
About this Quote
Memory is the quiet saboteur of certainty, and Denis Norden knows it. He reaches for the domestic scene - children recalling a family holiday - because it’s an arena where no one is lying, yet everyone is “wrong.” The parents remember logistics, anxieties, money, the weather, the drive. The children remember a single ice cream, a minor disaster turned mythic, the feeling of being briefly, intensely alive. Norden’s point isn’t that memory is faulty in a clinical sense; it’s that memory is editorial. It selects, stylizes, and assigns meaning with the ruthless confidence of a storyteller.
Coming from a career writer steeped in comedy and conversation, there’s an implicit wink here: reality is less persuasive than a well-shaped anecdote. “Perhaps everything is not how it is” sounds almost metaphysical, but he grounds it in a recognizably human dynamic. The subtext is gently unsettling: if even shared events inside a family splinter into incompatible versions, then the stories we build our identities on - relationships, childhood, nation, grievance - are even more negotiable.
The line also carries a writer’s self-awareness about craft and ethics. “How it’s remembered” is where sentiment, nostalgia, and resentment breed. It’s also where meaning is made. Norden isn’t begging us to abandon truth; he’s reminding us that truth competes with narrative, and narrative usually wins, not because it’s accurate, but because it’s livable.
Coming from a career writer steeped in comedy and conversation, there’s an implicit wink here: reality is less persuasive than a well-shaped anecdote. “Perhaps everything is not how it is” sounds almost metaphysical, but he grounds it in a recognizably human dynamic. The subtext is gently unsettling: if even shared events inside a family splinter into incompatible versions, then the stories we build our identities on - relationships, childhood, nation, grievance - are even more negotiable.
The line also carries a writer’s self-awareness about craft and ethics. “How it’s remembered” is where sentiment, nostalgia, and resentment breed. It’s also where meaning is made. Norden isn’t begging us to abandon truth; he’s reminding us that truth competes with narrative, and narrative usually wins, not because it’s accurate, but because it’s livable.
Quote Details
| Topic | Nostalgia |
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