"It's luck that one thing works out and one doesn't, it's sort of happenstance"
About this Quote
Luck is the most democratic villain in creative life: it humiliates the genius and occasionally crowns the mediocre. When Richard Linklater shrugs that “it’s luck that one thing works out and one doesn’t,” he’s not confessing defeat so much as puncturing a comforting myth the culture loves - that success is a clean referendum on merit. The line lands because it’s anti-mythmaking coming from someone whose filmography is practically a case study in patient craft. If even Linklater calls it “happenstance,” the audience has to reconsider how much of the canon is just timing, distribution, taste cycles, and the right champion at the right festival.
The phrasing matters. “One thing” and “one doesn’t” are deliberately vague, flattening the hierarchy between projects. He’s not dramatizing failure; he’s reducing it to a coin flip inside a system that pretends to be an engine of discernment. “Sort of” is doing work, too: it’s casual, defensive, a way to acknowledge randomness without surrendering agency. Linklater’s cinema often fetishizes process over plot - time passing, conversations accumulating, lives shaped by tiny choices. This quote extends that worldview to the industry around the art: outcomes aren’t always proportional to intention.
The subtext is practical advice disguised as fatalism. If results are partly stochastic, the only sane response is to keep making work, to design a career around repetition, community, and endurance rather than betting your identity on any single release. In a marketplace obsessed with “breakouts,” Linklater offers a cooler, more survivable ethic: make the thing, accept the noise, keep moving.
The phrasing matters. “One thing” and “one doesn’t” are deliberately vague, flattening the hierarchy between projects. He’s not dramatizing failure; he’s reducing it to a coin flip inside a system that pretends to be an engine of discernment. “Sort of” is doing work, too: it’s casual, defensive, a way to acknowledge randomness without surrendering agency. Linklater’s cinema often fetishizes process over plot - time passing, conversations accumulating, lives shaped by tiny choices. This quote extends that worldview to the industry around the art: outcomes aren’t always proportional to intention.
The subtext is practical advice disguised as fatalism. If results are partly stochastic, the only sane response is to keep making work, to design a career around repetition, community, and endurance rather than betting your identity on any single release. In a marketplace obsessed with “breakouts,” Linklater offers a cooler, more survivable ethic: make the thing, accept the noise, keep moving.
Quote Details
| Topic | Free Will & Fate |
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