"It's much easier to work with an unknown"
About this Quote
The subtext is about power and narrative ownership. A famous actor brings a second script into the room: their public persona, their entourage, their leverage with financiers, their ability to outvote the director through sheer market gravity. That can be productive, but it’s rarely simple. With an unknown, the director can build a performance from the ground up, shaping tone and rhythm without the constant static of expectations: how this person "usually" plays a scene, what fans will accept, what the studio needs to sell.
Hackford’s career context matters. Coming up through classic studio-era apprenticeship and then steering star-driven films (from An Officer and a Gentleman to Ray), he’s seen both economies: the movie as collaboration and the movie as negotiated settlement. The quote quietly argues that "difficulty" in filmmaking often isn’t artistic - it’s political. Casting an unknown is less about purity than about fewer veto points, fewer egos to manage, fewer prepackaged stories competing with the one you’re trying to tell.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Hackford, Taylor. (2026, January 16). It's much easier to work with an unknown. FixQuotes. https://fixquotes.com/quotes/its-much-easier-to-work-with-an-unknown-116173/
Chicago Style
Hackford, Taylor. "It's much easier to work with an unknown." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/its-much-easier-to-work-with-an-unknown-116173/.
MLA Style (9th ed.)
"It's much easier to work with an unknown." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/its-much-easier-to-work-with-an-unknown-116173/. Accessed 12 Feb. 2026.












