"It's nice to be in a situation where the two books that I write for a sort of regular monthly income are also works that I enjoy immensely, rather than them being some kind of bread and butter, do it because you have to do it"
About this Quote
There is a quiet flex buried in Ennis's plainspoken relief: he has managed to turn the most deadening part of creative life - the steady gig, the rent-paying output - into something that still feels alive. The line is long, a little loping, almost conversational, and that matters. Ennis isn't performing the tortured-artist myth; he's talking like a working pro who knows exactly how the industry usually works: you take on the dependable title, you hit deadlines, you keep the lights on, and you reserve your real passion for the margins.
The subtext is a rebuke to the prestige economy that treats enjoyment as suspect. In comics especially, "monthly income" is code for serial labor: recurring deadlines, editorial notes, fan expectations, the constant pressure to be legible and on-brand. Ennis signals how rare it is for the commercial track and the personal track to coincide. By repeating the idea in negative form - "rather than... bread and butter... do it because you have to" - he sketches the alternate life he escaped: writing as obligation, craft as compliance.
Contextually, this fits Ennis's career: a writer known for strong authorial voice inside corporate IP systems, bouncing between creator-owned freedom and franchise machinery. The sentence is less gratitude than hard-earned astonishment. It frames artistic satisfaction not as a romantic epiphany but as an economic condition: the best-case scenario is simply getting paid to make work you would have wanted to make anyway. That pragmatic clarity is the point, and the sting.
The subtext is a rebuke to the prestige economy that treats enjoyment as suspect. In comics especially, "monthly income" is code for serial labor: recurring deadlines, editorial notes, fan expectations, the constant pressure to be legible and on-brand. Ennis signals how rare it is for the commercial track and the personal track to coincide. By repeating the idea in negative form - "rather than... bread and butter... do it because you have to" - he sketches the alternate life he escaped: writing as obligation, craft as compliance.
Contextually, this fits Ennis's career: a writer known for strong authorial voice inside corporate IP systems, bouncing between creator-owned freedom and franchise machinery. The sentence is less gratitude than hard-earned astonishment. It frames artistic satisfaction not as a romantic epiphany but as an economic condition: the best-case scenario is simply getting paid to make work you would have wanted to make anyway. That pragmatic clarity is the point, and the sting.
Quote Details
| Topic | Career |
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