"It's not a terribly original thing to say, but I love Raymond Carver. For one thing, he's fun to read out loud"
About this Quote
Ira Glass starts by puncturing his own enthusiasm before anyone else can. “It’s not a terribly original thing to say” is a pre-emptive eye-roll: he knows loving Raymond Carver is practically a membership card in a certain literary culture, the kind that prizes restraint, heartbreak, and clean lines. That small act of self-deprecation does two things at once. It signals taste while refusing to posture about it. It’s the public-radio version of cool: sincere, but allergic to showing off.
Then he pivots to something almost disarmingly practical: “he’s fun to read out loud.” That’s the tell. Glass isn’t praising Carver as an icon or a canonized minimalist; he’s praising the work as audio, as performance, as a lived experience in the mouth and ear. The subtext is Glass’s whole sensibility as a journalist and radio maker: language should move. A sentence should land. A story should sound like a person thinking, not like a person proving.
Carver’s prose, with its tight rhythms and spare dialogue, rewards that kind of attention. Read aloud, the pauses become emotional architecture; the plain words start to throb with what they’re refusing to name. Glass’s compliment quietly reframes literary value away from academic reverence and toward listener intimacy. It’s not about being “important.” It’s about being playable, repeatable, shareable - the kind of writing that makes a room go still when someone starts reading.
Then he pivots to something almost disarmingly practical: “he’s fun to read out loud.” That’s the tell. Glass isn’t praising Carver as an icon or a canonized minimalist; he’s praising the work as audio, as performance, as a lived experience in the mouth and ear. The subtext is Glass’s whole sensibility as a journalist and radio maker: language should move. A sentence should land. A story should sound like a person thinking, not like a person proving.
Carver’s prose, with its tight rhythms and spare dialogue, rewards that kind of attention. Read aloud, the pauses become emotional architecture; the plain words start to throb with what they’re refusing to name. Glass’s compliment quietly reframes literary value away from academic reverence and toward listener intimacy. It’s not about being “important.” It’s about being playable, repeatable, shareable - the kind of writing that makes a room go still when someone starts reading.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
More Quotes by Ira
Add to List
