"It's not how you come out of the starting blocks"
About this Quote
"It’s not how you come out of the starting blocks" is the kind of athlete wisdom that sounds simple until you remember who’s saying it. Franco Harris wasn’t a track star preaching explosive acceleration; he was an NFL running back who made a career out of surviving contact, staying balanced, and turning chaos into forward motion. The line is a quiet rebuke to our obsession with first impressions and early dominance, the cultural fetish for the “hot start” as proof of destiny.
The specific intent is corrective: stop worshipping beginnings. Harris is pointing at the longer arc - the second effort, the patience to let blocks and bodies shift, the discipline to keep your legs churning when the play breaks down. In football terms, it’s a reminder that the first hit doesn’t decide the run. In life terms, it’s a pushback against the startup-era idea that if you don’t win immediately, you’ve failed.
The subtext is compassionate but unsentimental: you might stumble early, you might be boxed in, you might not be built for flash. None of that disqualifies you. What matters is what you do after contact - after rejection, after the first bad quarter, after the public narrative hardens.
Context matters because Harris’s legacy includes the Immaculate Reception, the ultimate proof that a play can look dead and still become history. The quote works because it’s not motivational foam; it’s field-tested realism. Beginnings are noisy. Outcomes are earned.
The specific intent is corrective: stop worshipping beginnings. Harris is pointing at the longer arc - the second effort, the patience to let blocks and bodies shift, the discipline to keep your legs churning when the play breaks down. In football terms, it’s a reminder that the first hit doesn’t decide the run. In life terms, it’s a pushback against the startup-era idea that if you don’t win immediately, you’ve failed.
The subtext is compassionate but unsentimental: you might stumble early, you might be boxed in, you might not be built for flash. None of that disqualifies you. What matters is what you do after contact - after rejection, after the first bad quarter, after the public narrative hardens.
Context matters because Harris’s legacy includes the Immaculate Reception, the ultimate proof that a play can look dead and still become history. The quote works because it’s not motivational foam; it’s field-tested realism. Beginnings are noisy. Outcomes are earned.
Quote Details
| Topic | Perseverance |
|---|---|
| Source | Help us find the source |
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