"It's not like it used to be where everybody has a record company to belong to"
About this Quote
Edwin Starr’s line lands like a weary backstage aside, the kind an artist says when the industry myth has finally collapsed. He’s not romanticizing the old label system so much as naming what it provided: a default home, however imperfect. “Belong to” is the tell. Record companies weren’t just financiers; they were gatekeepers that doubled as identity factories. You got signed, you got slotted into a story - soul singer, hitmaker, crossover act - and that story came with infrastructure, leverage, and a sense that someone was betting on you.
The subtext is less “labels were better” than “the social contract changed.” In Starr’s era, access to radio, distribution, and promotion was scarce and centralized. That scarcity created dependency, and dependency created belonging. When that system frays - through consolidation, shifting formats, and the rise of cheaper DIY production - the artist gains freedom but loses an institution that once absorbed risk and imposed coherence. You’re no longer “with Motown” or “on Atlantic”; you’re a freelancer in an attention market, responsible for your own financing, marketing, and momentum.
Coming from a singer tied to a classic soul ecosystem, the remark also reads as a quiet critique of cultural churn. The new landscape can be more democratic, but it’s also more disposable. Starr’s nostalgia isn’t for contracts; it’s for continuity - the idea that careers were built, not just streamed into existence and forgotten.
The subtext is less “labels were better” than “the social contract changed.” In Starr’s era, access to radio, distribution, and promotion was scarce and centralized. That scarcity created dependency, and dependency created belonging. When that system frays - through consolidation, shifting formats, and the rise of cheaper DIY production - the artist gains freedom but loses an institution that once absorbed risk and imposed coherence. You’re no longer “with Motown” or “on Atlantic”; you’re a freelancer in an attention market, responsible for your own financing, marketing, and momentum.
Coming from a singer tied to a classic soul ecosystem, the remark also reads as a quiet critique of cultural churn. The new landscape can be more democratic, but it’s also more disposable. Starr’s nostalgia isn’t for contracts; it’s for continuity - the idea that careers were built, not just streamed into existence and forgotten.
Quote Details
| Topic | Music |
|---|
More Quotes by Edwin
Add to List


