"It's not sometimes realistic to think that something magical can happen, but I think I look for the magic"
About this Quote
There is a quiet tightrope act in Sherilyn Fenn's line: she concedes realism, then immediately refuses to let it be the last word. The slightly awkward phrasing ("not sometimes realistic") reads less like a polished aphorism than an unguarded admission, which is exactly why it lands. It sounds like someone talking around a feeling she knows too well: the world doesn't reliably deliver the kind of transformation we want, but a person can still choose to keep their senses tuned for it.
Coming from an actress whose most iconic work (Twin Peaks) thrives on the collision between the ordinary and the uncanny, the quote doubles as both personal philosophy and job description. Acting is, at bottom, disciplined make-believe. You do the mundane labor - marks, takes, continuity, waiting - while hunting for the one unrepeatable moment when a scene suddenly breathes. "Magic" becomes shorthand for those flickers: chemistry that can't be manufactured, a line reading that opens a trapdoor, the feeling that something bigger than technique just showed up.
The subtext is not naive optimism; it's selective attention as survival strategy. Fenn isn't promising miracles. She's describing a posture: a willingness to be moved, to be surprised, to keep a little internal door unlocked even when adulthood keeps insisting it's safer to bolt it shut. In a culture that rewards cynicism as sophistication, "I look for the magic" is a small act of rebellion - and an artist's way of staying available to the work.
Coming from an actress whose most iconic work (Twin Peaks) thrives on the collision between the ordinary and the uncanny, the quote doubles as both personal philosophy and job description. Acting is, at bottom, disciplined make-believe. You do the mundane labor - marks, takes, continuity, waiting - while hunting for the one unrepeatable moment when a scene suddenly breathes. "Magic" becomes shorthand for those flickers: chemistry that can't be manufactured, a line reading that opens a trapdoor, the feeling that something bigger than technique just showed up.
The subtext is not naive optimism; it's selective attention as survival strategy. Fenn isn't promising miracles. She's describing a posture: a willingness to be moved, to be surprised, to keep a little internal door unlocked even when adulthood keeps insisting it's safer to bolt it shut. In a culture that rewards cynicism as sophistication, "I look for the magic" is a small act of rebellion - and an artist's way of staying available to the work.
Quote Details
| Topic | Optimism |
|---|
More Quotes by Sherilyn
Add to List




