"It's often difficult to slough off all that we've acquired, all the comforts and safety nets modern life provides for us, and realize that in those days, people were living very much on the edge - life was incredibly hard!"
About this Quote
Jacobi is doing something actors do best: pulling the floor out from under our present-day assumptions and making the past feel physically risky again. The line opens with a gentle self-indictment - "it's often difficult" - that flatters the listener into agreement, then pivots to the real target: the quiet arrogance of modern comfort. "Slough off" is key. It suggests shedding a skin, not adopting a costume. He is warning against the lazy kind of historical imagination where we keep our thermostats, antibiotics, and social safety nets in our heads while pretending we are, say, Tudor courtiers or wartime civilians.
The catalog of "comforts and safety nets" is less about gadgets than psychology. Modern life trains us to believe that disaster is an exception and help is a system. Jacobi's "in those days" yanks the viewer back to a world where crisis was ambient: infection, hunger, childbirth, a bad harvest, a lord's whim. People weren't heroic because they were morally superior; they were habituated to precarity. "Living very much on the edge" reads like an acting note: play every scene as if the ground could give way.
Coming from a veteran performer with deep ties to period drama and classical theatre, the intent is also corrective: don't romanticize history into wallpaper. Make it abrasive. The subtext is a challenge to audiences and creators alike: if we can't imagine the cost of survival back then, we're not just misunderstanding the past - we're anesthetizing it, turning real hardship into tasteful spectacle.
The catalog of "comforts and safety nets" is less about gadgets than psychology. Modern life trains us to believe that disaster is an exception and help is a system. Jacobi's "in those days" yanks the viewer back to a world where crisis was ambient: infection, hunger, childbirth, a bad harvest, a lord's whim. People weren't heroic because they were morally superior; they were habituated to precarity. "Living very much on the edge" reads like an acting note: play every scene as if the ground could give way.
Coming from a veteran performer with deep ties to period drama and classical theatre, the intent is also corrective: don't romanticize history into wallpaper. Make it abrasive. The subtext is a challenge to audiences and creators alike: if we can't imagine the cost of survival back then, we're not just misunderstanding the past - we're anesthetizing it, turning real hardship into tasteful spectacle.
Quote Details
| Topic | Nostalgia |
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