"It's part of the general global hypnotism to accept lies as the new truth"
About this Quote
Rudolph’s line lands like a director’s note disguised as a diagnosis: the problem isn’t just misinformation, it’s consent. “General global hypnotism” is doing the heavy lifting - a sly, cinematic metaphor that frames modern life as mass trance, a crowd lulled by repetition, spectacle, and the comfort of shared scripts. Hypnosis suggests passivity, yes, but also complicity: people don’t merely get lied to; they participate in the ritual that turns lies into livable reality.
The phrase “accept lies as the new truth” sharpens the threat. It isn’t about confusion between facts; it’s about replacement. “New truth” has the chilly bureaucratic vibe of a rebrand, as if reality itself has been market-tested and relaunched. Rudolph’s subtext feels less like a partisan jab than a critique of the media ecosystem as an aesthetic machine: images outpacing verification, narrative coherence beating accuracy, outrage functioning as entertainment. Coming from a filmmaker, “hypnotism” also reads as self-implicating. Cinema is literally engineered to hypnotize - dark room, glowing screen, suspended disbelief. He’s pointing at the broader culture industry and, uncomfortably, at his own medium’s power to manufacture conviction.
Contextually, this belongs to the long post-9/11, post-social-media era where propaganda and advertising tactics converged and the audience fractured into algorithmic micro-publics. The line’s intent is warning, but not moralizing: it’s a reminder that the most durable lie is the one that feels like belonging. The antidote he implies isn’t just fact-checking; it’s waking up from a story you’ve grown attached to.
The phrase “accept lies as the new truth” sharpens the threat. It isn’t about confusion between facts; it’s about replacement. “New truth” has the chilly bureaucratic vibe of a rebrand, as if reality itself has been market-tested and relaunched. Rudolph’s subtext feels less like a partisan jab than a critique of the media ecosystem as an aesthetic machine: images outpacing verification, narrative coherence beating accuracy, outrage functioning as entertainment. Coming from a filmmaker, “hypnotism” also reads as self-implicating. Cinema is literally engineered to hypnotize - dark room, glowing screen, suspended disbelief. He’s pointing at the broader culture industry and, uncomfortably, at his own medium’s power to manufacture conviction.
Contextually, this belongs to the long post-9/11, post-social-media era where propaganda and advertising tactics converged and the audience fractured into algorithmic micro-publics. The line’s intent is warning, but not moralizing: it’s a reminder that the most durable lie is the one that feels like belonging. The antidote he implies isn’t just fact-checking; it’s waking up from a story you’ve grown attached to.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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