"It's politely assumed that democracy is a means of containing and restraining violence. But violence comes not from genes but from ideas"
About this Quote
Bond’s line snaps at a comforting civic bedtime story: that democracy is basically a lid for the boiling pot of human aggression. The jab is in “politely assumed” - a phrase that makes liberal pieties sound like table manners, not political thought. It suggests we don’t believe democracy works because we’ve tested it; we believe it because it’s impolite, even dangerous, to question it.
Then he pivots to the real provocation: violence isn’t a biological leak we manage with institutions, it’s a product we manufacture with ideology. “Not from genes but from ideas” is less a nature-vs-nurture debate than an accusation about responsibility. If violence is genetic, it’s tragic and inevitable. If it’s ideological, it’s authored - by governments, schools, churches, markets, myths of national destiny, even the stories a culture tells about who counts as fully human.
As a playwright, Bond is working in a medium that treats society as a staged system of roles, scripts, cues, and sanctioned cruelties. His theatre (often read against the backdrop of postwar Britain, the Cold War, and the 20th century’s industrialized slaughter) keeps insisting that “civilization” doesn’t eliminate violence; it refines it, launders it, justifies it. Democracy, in that reading, can become another narrative device: a way to moralize power while outsourcing brutality to police, prisons, borders, and wars fought in the name of order.
The intent isn’t anti-democratic so much as anti-complacent. Bond is warning that ballots don’t disarm a society that still believes certain people are disposable. Change the ideas, or the violence will keep finding new, respectable costumes.
Then he pivots to the real provocation: violence isn’t a biological leak we manage with institutions, it’s a product we manufacture with ideology. “Not from genes but from ideas” is less a nature-vs-nurture debate than an accusation about responsibility. If violence is genetic, it’s tragic and inevitable. If it’s ideological, it’s authored - by governments, schools, churches, markets, myths of national destiny, even the stories a culture tells about who counts as fully human.
As a playwright, Bond is working in a medium that treats society as a staged system of roles, scripts, cues, and sanctioned cruelties. His theatre (often read against the backdrop of postwar Britain, the Cold War, and the 20th century’s industrialized slaughter) keeps insisting that “civilization” doesn’t eliminate violence; it refines it, launders it, justifies it. Democracy, in that reading, can become another narrative device: a way to moralize power while outsourcing brutality to police, prisons, borders, and wars fought in the name of order.
The intent isn’t anti-democratic so much as anti-complacent. Bond is warning that ballots don’t disarm a society that still believes certain people are disposable. Change the ideas, or the violence will keep finding new, respectable costumes.
Quote Details
| Topic | Peace |
|---|---|
| Source | Help us find the source |
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