"It's the most ridiculous business to be in. It's full of people who have never grown up"
About this Quote
Pop stardom has always sold youth as a product; Nik Kershaw’s jab turns that sales pitch into an indictment. Calling the music business “the most ridiculous” isn’t just cranky backstage gossip. It’s a musician clocking the emotional economy of an industry that rewards arrested development: endless reinvention, constant validation-seeking, and a workplace culture where ego is treated like a job requirement rather than a liability.
The line works because it’s both confession and distancing move. Kershaw came up in the 1980s, a decade that professionalized hype while accelerating the churn of trend cycles. In that environment, “never grown up” doesn’t simply mean childish behavior; it signals a system designed to keep everyone in a permanent adolescence, because adolescence is monetizable. The artist is encouraged to stay volatile and hungry. The executives get to cosplay rebellion while managing spreadsheets. The audience gets the fantasy that nothing has consequences, not even fame.
There’s also a quiet sting of self-awareness. Kershaw isn’t placing himself outside the circus; he’s describing the tent he had to live in. The “ridiculous” part is that the work can be deeply serious - craft, performance, writing - while the surrounding rituals are absurd: feuds, image policing, career narratives engineered like soap opera arcs. His bluntness reads like a corrective to glamor, a reminder that the cultural machine behind “cool” often runs on immaturity, because immaturity is easier to manipulate, market, and keep on tour.
The line works because it’s both confession and distancing move. Kershaw came up in the 1980s, a decade that professionalized hype while accelerating the churn of trend cycles. In that environment, “never grown up” doesn’t simply mean childish behavior; it signals a system designed to keep everyone in a permanent adolescence, because adolescence is monetizable. The artist is encouraged to stay volatile and hungry. The executives get to cosplay rebellion while managing spreadsheets. The audience gets the fantasy that nothing has consequences, not even fame.
There’s also a quiet sting of self-awareness. Kershaw isn’t placing himself outside the circus; he’s describing the tent he had to live in. The “ridiculous” part is that the work can be deeply serious - craft, performance, writing - while the surrounding rituals are absurd: feuds, image policing, career narratives engineered like soap opera arcs. His bluntness reads like a corrective to glamor, a reminder that the cultural machine behind “cool” often runs on immaturity, because immaturity is easier to manipulate, market, and keep on tour.
Quote Details
| Topic | Sarcastic |
|---|
More Quotes by Nik
Add to List






