"It's the sad thing about entertainment, it's not always about who is the best"
About this Quote
The line lands like a backstage confession, the kind you only hear after the lights go down and the checks clear. Jake Roberts is talking about entertainment as a marketplace, not a meritocracy - and he’s doing it in the weary, hard-earned register of someone who’s watched talent lose to timing, optics, and office politics.
Roberts came up in pro wrestling, a business that openly blurs sport and storytelling. In that world, “the best” isn’t the strongest worker or the sharpest talker; it’s the person the machine can sell this week. The quote’s sting is in its understatement: he doesn’t argue that “best” doesn’t exist, he argues it doesn’t reliably matter. That’s a subtler indictment. It admits craft and excellence, then points to the rigged scoring system: charisma that reads on camera, a look that fits a promoter’s fantasy, a feud that catches fire, a viral moment, a scandal that becomes a storyline, the simple luck of being healthy when the spotlight swings your way.
The intent is partly cautionary, partly absolving. It warns young performers not to confuse visibility with worth, and it lets veterans grieve without sounding bitter. The subtext is labor politics: entertainment sells an individual dream while operating like an industry, where gatekeepers decide whose “best” becomes legible to the crowd. Coming from a celebrity whose career was built on manipulating audience belief, it’s also self-aware: even authenticity is a performance, and “deserving” has never been the main booking strategy.
Roberts came up in pro wrestling, a business that openly blurs sport and storytelling. In that world, “the best” isn’t the strongest worker or the sharpest talker; it’s the person the machine can sell this week. The quote’s sting is in its understatement: he doesn’t argue that “best” doesn’t exist, he argues it doesn’t reliably matter. That’s a subtler indictment. It admits craft and excellence, then points to the rigged scoring system: charisma that reads on camera, a look that fits a promoter’s fantasy, a feud that catches fire, a viral moment, a scandal that becomes a storyline, the simple luck of being healthy when the spotlight swings your way.
The intent is partly cautionary, partly absolving. It warns young performers not to confuse visibility with worth, and it lets veterans grieve without sounding bitter. The subtext is labor politics: entertainment sells an individual dream while operating like an industry, where gatekeepers decide whose “best” becomes legible to the crowd. Coming from a celebrity whose career was built on manipulating audience belief, it’s also self-aware: even authenticity is a performance, and “deserving” has never been the main booking strategy.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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