"It's the same with visual arts, you have some really cool, wonderful striking images that make you think and then again you have wonderful striking images that just take you away from the existing world for a second. And I like the latter a bit more"
About this Quote
Ville Valo is tipping his hand about what he wants art to do: not educate you, not even necessarily challenge you, but seduce you. He draws a clean line between images that "make you think" and images that "take you away", then confesses a preference that’s almost defiantly anti-prestige. In a cultural climate where seriousness often gets confused for value, Valo quietly champions the unglamorous power of escape.
The phrasing matters. He keeps saying "wonderful striking images" for both categories, refusing the usual hierarchy where intellect is noble and immersion is shallow. The only real difference is the destination: cognition versus dislocation. "For a second" is doing a lot of work, too. This isn’t a manifesto for permanent retreat; it’s an argument for micro-respite, the brief transport that feels like coming up for air. That’s a musician talking, someone who understands art as atmosphere and timing as much as meaning.
Contextually, it tracks with Valo’s gothic-romantic brand: lush, melodramatic, emotionally direct, built for people who want to step outside fluorescent reality and into a curated mood. The subtext isn’t that thinking is bad; it’s that being relentlessly asked to process, interpret, and perform intelligence can become its own kind of exhaustion. Valo’s preference reads like solidarity with overstimulated audiences: sometimes the most radical thing an image can do is give you back your nervous system.
The phrasing matters. He keeps saying "wonderful striking images" for both categories, refusing the usual hierarchy where intellect is noble and immersion is shallow. The only real difference is the destination: cognition versus dislocation. "For a second" is doing a lot of work, too. This isn’t a manifesto for permanent retreat; it’s an argument for micro-respite, the brief transport that feels like coming up for air. That’s a musician talking, someone who understands art as atmosphere and timing as much as meaning.
Contextually, it tracks with Valo’s gothic-romantic brand: lush, melodramatic, emotionally direct, built for people who want to step outside fluorescent reality and into a curated mood. The subtext isn’t that thinking is bad; it’s that being relentlessly asked to process, interpret, and perform intelligence can become its own kind of exhaustion. Valo’s preference reads like solidarity with overstimulated audiences: sometimes the most radical thing an image can do is give you back your nervous system.
Quote Details
| Topic | Art |
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