"It's why you create characters: so you can argue with yourself"
About this Quote
Fiction, in Ondaatje's formulation, isn't escapism; it's a controlled way to fracture the self into disputing parties. "Argue with yourself" is a sly admission that the writer's mind is not a serene wellspring of wisdom but a noisy committee. Characters become legal briefs you can cross-examine. Give one a hunger for order, another a taste for ruin, and suddenly your private contradictions have voices, habits, and alibis. The line flatters craft while quietly demystifying it: creation as a technique for thinking, not a lightning bolt of inspiration.
Ondaatje's work has often circled memory, violence, and the stories people tell to survive them. In that context, the "argument" isn't a parlor debate; it's an ethical pressure test. When history is messy and motives are mixed, a single authorial viewpoint starts to look like propaganda. Characters let you stage competing truths without announcing which one wins. That's also why the sentence lands with such economy: it frames artistry as self-interrogation, a refusal to let the writer become a dictator over meaning.
There's subversive humility in the joke, too. Writers are stereotyped as omniscient; Ondaatje implies they're more like moderators. The character isn't just a puppet, it's an opponent that forces revision, doubt, and surprise. The intent is less "invent people" than "invent resistance" - because the most interesting art happens when the creator can't quite bully the page into agreeing.
Ondaatje's work has often circled memory, violence, and the stories people tell to survive them. In that context, the "argument" isn't a parlor debate; it's an ethical pressure test. When history is messy and motives are mixed, a single authorial viewpoint starts to look like propaganda. Characters let you stage competing truths without announcing which one wins. That's also why the sentence lands with such economy: it frames artistry as self-interrogation, a refusal to let the writer become a dictator over meaning.
There's subversive humility in the joke, too. Writers are stereotyped as omniscient; Ondaatje implies they're more like moderators. The character isn't just a puppet, it's an opponent that forces revision, doubt, and surprise. The intent is less "invent people" than "invent resistance" - because the most interesting art happens when the creator can't quite bully the page into agreeing.
Quote Details
| Topic | Writing |
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