"I've a great fancy to see my own funeral afore I die"
About this Quote
Morbid curiosity rarely lands with this much sparkle. Edgeworth’s line turns the ultimate solemn event into a piece of social theater: not death itself, but the spectacle surrounding it. Wanting to attend your own funeral “afore I die” is less a gothic flourish than a sly demand for audience feedback. Who shows up? Who cries? Who performs grief convincingly? In a culture where reputation was a kind of currency and communities were tight enough to police one another’s manners, the funeral becomes a final referendum on a life.
Edgeworth, a novelist with a sharp ear for social incentive, uses the wish as a needle to puncture sentimental pieties. The joke depends on a quiet accusation: people are often kinder, truer, and more eloquent once the subject can’t answer back. There’s also an authorial wink at the economy of praise. Why should appreciation arrive only when it’s safe, when the living can no longer complicate the story?
The phrasing matters. “Great fancy” keeps it airy, almost whimsical, while “afore” anchors it in speech - a lived voice rather than a philosopher’s abstraction. The charm disarms, then the implication bites: our public rituals can be more about the living rehearsing virtue than about honoring the dead. Edgeworth’s intent isn’t to romanticize death; it’s to expose how much of social life is performance, and how often the final performance comes too late to matter to the one it’s supposedly for.
Edgeworth, a novelist with a sharp ear for social incentive, uses the wish as a needle to puncture sentimental pieties. The joke depends on a quiet accusation: people are often kinder, truer, and more eloquent once the subject can’t answer back. There’s also an authorial wink at the economy of praise. Why should appreciation arrive only when it’s safe, when the living can no longer complicate the story?
The phrasing matters. “Great fancy” keeps it airy, almost whimsical, while “afore” anchors it in speech - a lived voice rather than a philosopher’s abstraction. The charm disarms, then the implication bites: our public rituals can be more about the living rehearsing virtue than about honoring the dead. Edgeworth’s intent isn’t to romanticize death; it’s to expose how much of social life is performance, and how often the final performance comes too late to matter to the one it’s supposedly for.
Quote Details
| Topic | Mortality |
|---|---|
| Source | Help us find the source |
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