"I've also directed, shot, and edited several music videos"
About this Quote
There’s a quiet power move buried in that sentence: an identity claim disguised as a résumé bullet. “I’ve also” is doing social work here. It signals range without sounding like bragging, positioning music-video work as an additive credential rather than a detour. In an industry that loves to silo people, King is insisting he’s not just a “director” in the ceremonial sense; he’s a maker who can carry a project end-to-end.
The triad “directed, shot, and edited” is the real flex. It frames him as a one-person pipeline, fluent in the full grammar of production: performance and intent (directing), visual authorship and problem-solving (shooting), and ultimately meaning-making (editing). Music videos are often treated as stylistic playgrounds or calling cards, so claiming all three roles hints at both creative control and budget reality. It implies he’s comfortable operating in lean conditions, where you can’t hide behind a department or wait for someone else to “save it in post.”
Contextually, this reads like a pitch to clients and collaborators who want someone nimble: brands chasing fast turnarounds, artists needing a coherent visual world, production companies eyeing directors who can deliver without bloat. Subtext: I understand rhythm. I can build momentum, match image to sound, and make something feel expensive even when it isn’t.
The sentence is modest on the surface, but its intent is unmistakable: trust me with the whole thing.
The triad “directed, shot, and edited” is the real flex. It frames him as a one-person pipeline, fluent in the full grammar of production: performance and intent (directing), visual authorship and problem-solving (shooting), and ultimately meaning-making (editing). Music videos are often treated as stylistic playgrounds or calling cards, so claiming all three roles hints at both creative control and budget reality. It implies he’s comfortable operating in lean conditions, where you can’t hide behind a department or wait for someone else to “save it in post.”
Contextually, this reads like a pitch to clients and collaborators who want someone nimble: brands chasing fast turnarounds, artists needing a coherent visual world, production companies eyeing directors who can deliver without bloat. Subtext: I understand rhythm. I can build momentum, match image to sound, and make something feel expensive even when it isn’t.
The sentence is modest on the surface, but its intent is unmistakable: trust me with the whole thing.
Quote Details
| Topic | Music |
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