"I've always admitted that I'm ruled by my passions"
About this Quote
There is a kind of regal defiance packed into Elizabeth Taylor’s “I’ve always admitted that I’m ruled by my passions.” The key move is “admitted”: she frames desire like a confession, then immediately treats the confession as a credential. It’s a clever flip of the usual tabloid morality tale. In a culture that loved to scold her for marriages, diamonds, and headline-sized appetites, Taylor turns the accusation into brand strategy: if I’m guilty, I’m also honest, and that honesty is power.
“Ruled” does double work. It suggests surrender, but also monarchy. She isn’t dabbling in impulses; she’s acknowledging a governing force, one that grants her life a plot and a pace. For an actress whose fame was never just screen-deep, the line reads like an actor’s note on method: passion isn’t a mood, it’s the engine. It’s also a preemptive rebuttal to respectability politics, especially for women. Men get to be “driven”; women get labeled “out of control.” Taylor sidesteps the trap by owning the supposedly disqualifying trait and making it sound like clarity.
The context matters: Taylor lived in an era that weaponized female desire as spectacle, then punished the spectacle it created. Her romances and excess were sold back to the public as entertainment. This quote tightens the loop and profits from it emotionally: if the world insists on narrating her as scandal, she’ll narrate herself as intensity. Not apology, not victimhood - authorship.
“Ruled” does double work. It suggests surrender, but also monarchy. She isn’t dabbling in impulses; she’s acknowledging a governing force, one that grants her life a plot and a pace. For an actress whose fame was never just screen-deep, the line reads like an actor’s note on method: passion isn’t a mood, it’s the engine. It’s also a preemptive rebuttal to respectability politics, especially for women. Men get to be “driven”; women get labeled “out of control.” Taylor sidesteps the trap by owning the supposedly disqualifying trait and making it sound like clarity.
The context matters: Taylor lived in an era that weaponized female desire as spectacle, then punished the spectacle it created. Her romances and excess were sold back to the public as entertainment. This quote tightens the loop and profits from it emotionally: if the world insists on narrating her as scandal, she’ll narrate herself as intensity. Not apology, not victimhood - authorship.
Quote Details
| Topic | Romantic |
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