"I've always been drawn to tormented people full of contradictions"
About this Quote
Tabucchi’s attraction to “tormented people full of contradictions” reads less like a taste for melodrama than a manifesto against tidy moral accounting. He’s staking a claim for the kind of character - and the kind of citizen - who resists being flattened into a message. “Tormented” signals interior pressure: not just suffering, but a mind at odds with itself, where desire, guilt, politics, memory, and fantasy grind together. Add “contradictions” and the sentence becomes a rebuke to any worldview that demands coherence as a prerequisite for dignity.
The intent is quietly polemical. Tabucchi came of age in a Europe where 20th-century history trained people to be suspicious of purity: fascism, ideological orthodoxy, state violence, the seductions of certainty. His fiction (often angled through Portuguese saudade and Pessoa’s multiplicity) treats identity as something you perform, revise, and sometimes evade. The “tormented” figure isn’t merely interesting; they’re truthful, because they resemble how real selves are assembled: from compromises, hypocrisies, and sudden acts of courage that don’t cancel the earlier cowardice.
Subtext: contradiction isn’t a flaw to be corrected, it’s the engine of narrative and the proof of conscience. A person who never clashes with themselves is either lying, numb, or already drafted into someone else’s script. Tabucchi’s line defends ambiguity as an ethical stance: stay complicated, stay alert, refuse the comforting fiction that people - including you - can be reduced to a single story.
The intent is quietly polemical. Tabucchi came of age in a Europe where 20th-century history trained people to be suspicious of purity: fascism, ideological orthodoxy, state violence, the seductions of certainty. His fiction (often angled through Portuguese saudade and Pessoa’s multiplicity) treats identity as something you perform, revise, and sometimes evade. The “tormented” figure isn’t merely interesting; they’re truthful, because they resemble how real selves are assembled: from compromises, hypocrisies, and sudden acts of courage that don’t cancel the earlier cowardice.
Subtext: contradiction isn’t a flaw to be corrected, it’s the engine of narrative and the proof of conscience. A person who never clashes with themselves is either lying, numb, or already drafted into someone else’s script. Tabucchi’s line defends ambiguity as an ethical stance: stay complicated, stay alert, refuse the comforting fiction that people - including you - can be reduced to a single story.
Quote Details
| Topic | Romantic |
|---|---|
| Source | Help us find the source |
More Quotes by Antonio
Add to List






