"I've always been that way. I'm not very good at reading music but I'm pretty quick at picking things up"
About this Quote
There’s a particular kind of British bravado in admitting a limitation while quietly flexing a bigger advantage. Roy Wood’s line isn’t an apology for not reading music; it’s a declaration of how pop intelligence actually works. In rock’s working-class mythology, formal literacy can read as gatekeeping, while speed and instinct are the real credentials. Wood positions himself on the side of feel, hustle, and invention: the musician who learns by ear, by pattern, by obsession, not by permission.
The subtext is craft without sanctimony. “I’ve always been that way” shrugs off the idea that he should be “fixed” by training, as if the so-called deficit is part of the engine. Coming from an artist tied to The Move, ELO’s early DNA, and Wizzard’s maximalist glam-pop, it lands as a wink: you don’t build those dense, hook-stacked arrangements by being casual. You build them by being fast, curious, and fearless about trying ideas before self-doubt catches up.
Culturally, it’s also a reminder of the long tension between conservatory respectability and the record-making ecosystem. Studios rewarded people who could translate a sound in their head into something playable right now. Wood frames musicianship as responsiveness: hearing a possibility, grabbing it, shaping it into something memorable. The quote works because it demotes “reading” from a moral virtue to a tool, and elevates adaptive intelligence - the ability to absorb, imitate, mutate, and, ultimately, create.
The subtext is craft without sanctimony. “I’ve always been that way” shrugs off the idea that he should be “fixed” by training, as if the so-called deficit is part of the engine. Coming from an artist tied to The Move, ELO’s early DNA, and Wizzard’s maximalist glam-pop, it lands as a wink: you don’t build those dense, hook-stacked arrangements by being casual. You build them by being fast, curious, and fearless about trying ideas before self-doubt catches up.
Culturally, it’s also a reminder of the long tension between conservatory respectability and the record-making ecosystem. Studios rewarded people who could translate a sound in their head into something playable right now. Wood frames musicianship as responsiveness: hearing a possibility, grabbing it, shaping it into something memorable. The quote works because it demotes “reading” from a moral virtue to a tool, and elevates adaptive intelligence - the ability to absorb, imitate, mutate, and, ultimately, create.
Quote Details
| Topic | Music |
|---|
More Quotes by Roy
Add to List



