"I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another"
About this Quote
Reitman is describing a kind of blockbuster humanism that’s easy to miss because it arrives wrapped in jokes, set-pieces, and genre machinery. His claim isn’t that movies should be “nice,” but that audience attachment is an engineering problem: if you seed the frame with people we’d willingly share a booth with, you earn the right to throw them into absurdity. The laughs land harder when they’re tethered to camaraderie rather than cruelty.
The key phrase is “populate my films,” which treats casting and characterization like urban planning. Reitman isn’t chasing a single magnetic protagonist; he’s building an ecosystem of likability, a social world with gravity. “Warmth for each other” is the hidden special effect. It signals that the stakes aren’t merely whether the plot resolves, but whether the group holds. That’s why his best ensembles feel rewatchable: you’re not just revisiting a story, you’re returning to a hangout.
There’s also a canny bit of self-defense in “we emulate in one way or another.” It elevates comedy characters from punchline-delivery systems to aspirational templates, even if the aspiration is modest: confidence, loyalty, competence, the ability to stay cool when reality gets weird. Coming out of the late-70s and 80s studio comedy boom, Reitman’s approach offered an alternative to cynicism and humiliation-based laughs. The subtext is commercial and ethical at once: warmth isn’t softness; it’s a strategy for making mass entertainment feel personal.
The key phrase is “populate my films,” which treats casting and characterization like urban planning. Reitman isn’t chasing a single magnetic protagonist; he’s building an ecosystem of likability, a social world with gravity. “Warmth for each other” is the hidden special effect. It signals that the stakes aren’t merely whether the plot resolves, but whether the group holds. That’s why his best ensembles feel rewatchable: you’re not just revisiting a story, you’re returning to a hangout.
There’s also a canny bit of self-defense in “we emulate in one way or another.” It elevates comedy characters from punchline-delivery systems to aspirational templates, even if the aspiration is modest: confidence, loyalty, competence, the ability to stay cool when reality gets weird. Coming out of the late-70s and 80s studio comedy boom, Reitman’s approach offered an alternative to cynicism and humiliation-based laughs. The subtext is commercial and ethical at once: warmth isn’t softness; it’s a strategy for making mass entertainment feel personal.
Quote Details
| Topic | Friendship |
|---|---|
| Source | Help us find the source |
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