"I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade"
About this Quote
The intent is also strategic self-definition. Kapoor’s work has always played with seduction - immaculate surfaces, saturated pigments, mirror-finish steel that turns viewers into part of the piece. He knows spectacle works. The subtext is: seduction is a tool, not the endpoint. He invites you in with beauty, then tries to destabilize you with scale, voids, and disorienting reflections that mess with your sense of where the artwork ends and you begin.
Context matters: Kapoor rises in a late-20th-century art world where “decorative” can be a dismissive label, especially for work that’s sensually pleasing. His statement is a preemptive defense against that pigeonhole and a critique of the market logic that rewards the instantly legible object. He’s arguing for art that earns its authority by doing something riskier than looking good: rerouting perception, provoking bodily awareness, and insisting that depth isn’t optional.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Kapoor, Anish. (2026, January 17). I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade. FixQuotes. https://fixquotes.com/quotes/ive-always-felt-that-if-one-was-going-to-take-46073/
Chicago Style
Kapoor, Anish. "I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/ive-always-felt-that-if-one-was-going-to-take-46073/.
MLA Style (9th ed.)
"I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/ive-always-felt-that-if-one-was-going-to-take-46073/. Accessed 12 Feb. 2026.


