"I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty"
About this Quote
Antin takes a monument designed for the masses and shrinks it down to a private talisman, which is exactly the kind of move a poet makes when the public story feels too clean. The Statue of Liberty is supposed to be an obvious symbol: welcome, democracy, national virtue cast in copper. Antin’s twist is to treat it less like a civic logo and more like found material, a ready-made that only becomes meaningful when it’s routed through a lived biography.
The key phrase is “became the statue of my personal liberty.” That verb matters. He’s not claiming Liberty as an eternal truth or an inherited identity; he’s describing a conversion, a moment when the official symbol gets repurposed by experience. It’s subtle pressure against the patriotic script: the statue doesn’t guarantee freedom so much as offer a surface onto which an individual can project escape, arrival, or self-invention. In that sense, the line flatters America and indicts it at the same time. If liberty has to become personal, it suggests the default version wasn’t sufficient, or wasn’t evenly distributed.
Contextually, Antin’s career sits in the wake of mid-century American mythmaking and its discontents: Cold War rhetoric, immigration narratives, civil rights struggles, Vietnam-era skepticism. His talk-poem sensibility also helps here; he loved the way meaning is made in real time, through association and pivot. The quote performs that method: taking an overfamiliar icon and making it strange by insisting it’s not just “the” Statue of Liberty, but “my” statue, earned rather than granted.
The key phrase is “became the statue of my personal liberty.” That verb matters. He’s not claiming Liberty as an eternal truth or an inherited identity; he’s describing a conversion, a moment when the official symbol gets repurposed by experience. It’s subtle pressure against the patriotic script: the statue doesn’t guarantee freedom so much as offer a surface onto which an individual can project escape, arrival, or self-invention. In that sense, the line flatters America and indicts it at the same time. If liberty has to become personal, it suggests the default version wasn’t sufficient, or wasn’t evenly distributed.
Contextually, Antin’s career sits in the wake of mid-century American mythmaking and its discontents: Cold War rhetoric, immigration narratives, civil rights struggles, Vietnam-era skepticism. His talk-poem sensibility also helps here; he loved the way meaning is made in real time, through association and pivot. The quote performs that method: taking an overfamiliar icon and making it strange by insisting it’s not just “the” Statue of Liberty, but “my” statue, earned rather than granted.
Quote Details
| Topic | Freedom |
|---|---|
| Source | Help us find the source |
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