"I've always had trouble with authority"
About this Quote
"I've always had trouble with authority" lands like a shrug that’s also a manifesto: three beats of defiance that frame rebellion as temperament, not tactic. John Milius isn’t confessing a phase; he’s claiming a lifelong posture. The phrasing matters. "Trouble with" is softer than "hatred of" or "refusal of" authority. It implies friction, a recurring mismatch between the individual and the institution, like a bad fit you can’t tailor away. That ambiguity is part of the seduction: he can sound rueful, proud, even amused, depending on who’s listening.
In Milius’s context, the line reads as both personal biography and creative branding. Coming up through Hollywood in the late-60s/70s churn of auteur mythmaking, "authority" isn’t just cops or bosses; it’s studio notes, polite liberal consensus, the gatekeepers of taste, the whole machinery that tells a filmmaker how to behave. Milius built a reputation as the guy who wanted the mythic, the martial, the unapologetically masculine - a sensibility that predictably collides with institutional restraint. The subtext: if you’re uncomfortable with him, that’s evidence he’s doing it right.
There’s also a neat paradox baked in. Film is collaborative, hierarchical, expensive. A director is authority embodied. So the line doubles as preemptive absolution: if he steamrolls a room, it’s not ego, it’s destiny. It turns temperament into alibi - and alibi into legend.
In Milius’s context, the line reads as both personal biography and creative branding. Coming up through Hollywood in the late-60s/70s churn of auteur mythmaking, "authority" isn’t just cops or bosses; it’s studio notes, polite liberal consensus, the gatekeepers of taste, the whole machinery that tells a filmmaker how to behave. Milius built a reputation as the guy who wanted the mythic, the martial, the unapologetically masculine - a sensibility that predictably collides with institutional restraint. The subtext: if you’re uncomfortable with him, that’s evidence he’s doing it right.
There’s also a neat paradox baked in. Film is collaborative, hierarchical, expensive. A director is authority embodied. So the line doubles as preemptive absolution: if he steamrolls a room, it’s not ego, it’s destiny. It turns temperament into alibi - and alibi into legend.
Quote Details
| Topic | Freedom |
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