"I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on"
About this Quote
Chaos gets a bad rap in music, but Derek Bailey is basically arguing for it as an aesthetic tool: put someone in the room who "hadn't the faintest idea what was going on" and you get a particular kind of electricity. The line reads like a throwaway, but it’s a clean statement of improvisation’s core strategy: weaken the comfort of expertise so you can hear what happens when nobody’s running the usual scripts.
Bailey, a key architect of free improvisation, spent a career rejecting the polite contracts of genre - the chord changes that reassure, the unspoken rules about when to solo, even the idea that a performance should "resolve". In that context, the clueless presence isn’t a joke at an audience’s expense; it’s a deliberate disturbance. Someone uninitiated becomes a live sensor for when the music is coasting on insider logic. Their confusion is useful data. If the room only works for people fluent in the code, the music risks becoming a closed circuit: impressive, self-referential, emotionally airless.
The phrasing matters: "the effect" is clinical, almost mischievous. Bailey isn’t romanticizing naïveté; he’s curating an environment where misunderstanding can create friction, and friction can create form. It’s also a subtle jab at the cult of sophistication. If your art depends on everyone knowing exactly "what’s going on", maybe the thing going on isn’t that interesting. Bailey’s best work courts that risk - the possibility of alienation - because the alternative is predictability dressed up as mastery.
Bailey, a key architect of free improvisation, spent a career rejecting the polite contracts of genre - the chord changes that reassure, the unspoken rules about when to solo, even the idea that a performance should "resolve". In that context, the clueless presence isn’t a joke at an audience’s expense; it’s a deliberate disturbance. Someone uninitiated becomes a live sensor for when the music is coasting on insider logic. Their confusion is useful data. If the room only works for people fluent in the code, the music risks becoming a closed circuit: impressive, self-referential, emotionally airless.
The phrasing matters: "the effect" is clinical, almost mischievous. Bailey isn’t romanticizing naïveté; he’s curating an environment where misunderstanding can create friction, and friction can create form. It’s also a subtle jab at the cult of sophistication. If your art depends on everyone knowing exactly "what’s going on", maybe the thing going on isn’t that interesting. Bailey’s best work courts that risk - the possibility of alienation - because the alternative is predictability dressed up as mastery.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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