"I've always liked the minds of criminals, they seem similar to artists"
About this Quote
The subtext is a defense of misfit intelligence. Linklater has built a career out of characters who drift, talk, loiter, and refuse the tidy arcs that Hollywood prefers. In that world, the outlaw imagination becomes a metaphor for creative freedom: a person who can reframe a situation fast, take risks without permission, and build an alternate reality on the fly. That’s also why the line works as a slight jab at respectable culture. It suggests the difference between “criminal” and “artist” is often less about mind than about social approval, money, and who gets to call their obsession a vocation.
Contextually, it lands in a long tradition of art’s fascination with transgression, from film noir to the romanticized rebel. Linklater’s version is less mythic, more observational: creativity and illegality can share the same engine - restless ingenuity - even if they drive to radically different destinations.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Linklater, Richard. (2026, January 16). I've always liked the minds of criminals, they seem similar to artists. FixQuotes. https://fixquotes.com/quotes/ive-always-liked-the-minds-of-criminals-they-seem-87244/
Chicago Style
Linklater, Richard. "I've always liked the minds of criminals, they seem similar to artists." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/ive-always-liked-the-minds-of-criminals-they-seem-87244/.
MLA Style (9th ed.)
"I've always liked the minds of criminals, they seem similar to artists." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/ive-always-liked-the-minds-of-criminals-they-seem-87244/. Accessed 12 Feb. 2026.







