"I've always worked closely with the designers and whoever's making the costumes. Comfort is the last thing you want on your mind when you're competing. In an ideal situation, you'll have something where you'll put it on and you're fine and you don't have to worry about it at all"
About this Quote
Kristi Yamaguchi’s take on costumes is quietly ruthless: the goal isn’t to feel good, it’s to forget you’re wearing anything at all. That sounds like a small technical preference until you remember what figure skating asks of a body under pressure. Competition is a high-wire act of timing, breath, and muscle memory; any itch, pinch, or shifting strap becomes a mental heckler. “Comfort is the last thing you want on your mind” reads like a paradox, but it’s really an athlete’s definition of comfort: not plushness, not coziness, just zero cognitive drag.
The line also reframes the costume from decoration to equipment. Working “closely with the designers” signals collaboration, but also control. Yamaguchi is describing a process where aesthetics are negotiated against physics: fabric that won’t catch air on a jump, seams that won’t chafe during repeated landings, embellishments that won’t snag or break under arena lights and sweat. The ideal outfit is invisible in the only sense that matters: it performs its job so well that attention can stay on edges, rotations, and the scoreboard.
There’s subtext here about how women’s sports often get flattened into spectacle. Yamaguchi doesn’t reject beauty, but she relocates it. The costume’s purpose is to protect focus, not to invite scrutiny. That’s a professional’s boundary-setting, delivered in the plain language of someone who’s spent years turning performance into something repeatable.
The line also reframes the costume from decoration to equipment. Working “closely with the designers” signals collaboration, but also control. Yamaguchi is describing a process where aesthetics are negotiated against physics: fabric that won’t catch air on a jump, seams that won’t chafe during repeated landings, embellishments that won’t snag or break under arena lights and sweat. The ideal outfit is invisible in the only sense that matters: it performs its job so well that attention can stay on edges, rotations, and the scoreboard.
There’s subtext here about how women’s sports often get flattened into spectacle. Yamaguchi doesn’t reject beauty, but she relocates it. The costume’s purpose is to protect focus, not to invite scrutiny. That’s a professional’s boundary-setting, delivered in the plain language of someone who’s spent years turning performance into something repeatable.
Quote Details
| Topic | Sports |
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