"I've become this sort of icon for the gay community. I don't like the position"
About this Quote
There is a sting of honesty in Bernhard admitting she’s “become this sort of icon” and then immediately refusing the coronation. The line does two things at once: it acknowledges the way queer audiences have claimed her, and it pushes back against the trap of being claimed as a tidy symbol. “This sort of” is doing heavy lifting - a shrug that signals distance from the whole icon-making machinery. She’s naming a cultural role that’s been assigned, not earned on her own terms.
The subtext is less ingratitude than unease with tokenhood. An “icon” is supposed to be consistent, legible, and endlessly available for projection. Bernhard’s persona has always been thornier: confrontational, sexually fluid in presentation, allergic to polite narratives. Her discomfort reads like an artist recognizing that representation can flatten the very unruliness that made her magnetic.
Context matters: for decades, gay culture has elevated certain women performers - especially those who mix camp, danger, and glamour - into protective talismans. That tradition can be empowering, but it also pressures the performer to function as a stand-in for a whole community’s desires, politics, and pain. Bernhard’s “I don’t like the position” is a small act of boundary-setting. It insists that solidarity doesn’t require sainthood, and that visibility, when it hardens into branding, can feel less like liberation than a new kind of closet.
The subtext is less ingratitude than unease with tokenhood. An “icon” is supposed to be consistent, legible, and endlessly available for projection. Bernhard’s persona has always been thornier: confrontational, sexually fluid in presentation, allergic to polite narratives. Her discomfort reads like an artist recognizing that representation can flatten the very unruliness that made her magnetic.
Context matters: for decades, gay culture has elevated certain women performers - especially those who mix camp, danger, and glamour - into protective talismans. That tradition can be empowering, but it also pressures the performer to function as a stand-in for a whole community’s desires, politics, and pain. Bernhard’s “I don’t like the position” is a small act of boundary-setting. It insists that solidarity doesn’t require sainthood, and that visibility, when it hardens into branding, can feel less like liberation than a new kind of closet.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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