"I've been allowed to develop my own character, which I'm still working on"
About this Quote
There is a sly confidence tucked inside that modest phrasing, the kind actors learn when they’ve spent years being told who they are. “I’ve been allowed” is doing the real work: McClanahan frames selfhood as something negotiated, not granted by nature. In an industry that packages women into types and ages them out of desirability on a schedule, “allowed” hints at gatekeepers, casting rooms, studio notes, and the subtle punishments for being too sharp, too sexual, too strange. It’s gratitude with an edge.
Then she pivots. “Develop my own character” sounds like a craft note, as if she’s talking about building Blanche Devereaux or any role she played. That double meaning is the joke and the shield: the public expects “character” from an actress, so she smuggles in a claim about personal autonomy under the cover of professional language. She’s essentially saying: you may have hired me to play parts, but I’ve been constructing myself, too.
The final clause, “which I’m still working on,” lands like a wink and a rebuke. It resists the celebrity demand for a finished, inspirational arc. No redemption narrative, no brand-perfect authenticity. Just an ongoing draft. Coming from McClanahan, whose comedic persona was often treated as a fixed archetype, the line quietly insists on complexity: the funniest people are rarely the most settled, and the most “experienced” women are still allowed to be in progress.
Then she pivots. “Develop my own character” sounds like a craft note, as if she’s talking about building Blanche Devereaux or any role she played. That double meaning is the joke and the shield: the public expects “character” from an actress, so she smuggles in a claim about personal autonomy under the cover of professional language. She’s essentially saying: you may have hired me to play parts, but I’ve been constructing myself, too.
The final clause, “which I’m still working on,” lands like a wink and a rebuke. It resists the celebrity demand for a finished, inspirational arc. No redemption narrative, no brand-perfect authenticity. Just an ongoing draft. Coming from McClanahan, whose comedic persona was often treated as a fixed archetype, the line quietly insists on complexity: the funniest people are rarely the most settled, and the most “experienced” women are still allowed to be in progress.
Quote Details
| Topic | Self-Improvement |
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