"I've been called many names like perfectionist, difficult and obsessive. I think it takes obsession, takes searching for the details for any artist to be good"
About this Quote
Streisand doesn’t deny the charge; she reframes it as a job requirement. “Perfectionist, difficult and obsessive” are the usual weapons used to shrink a powerful woman into a personality problem, especially in industries that want female stars luminous on-screen and pliable off it. Her move is surgical: she repeats the labels, then swaps the moral verdict (“difficult”) for the professional ethic (“searching for the details”). What reads as temperament becomes craft.
The intent is defensive but not apologetic. Streisand’s “I think” sounds modest, yet it’s really a quiet flex: I’m not arguing about my reputation, I’m arguing about the standard. By insisting that “obsession” is what “any artist” needs, she universalizes her behavior, stripping it of gendered exceptionalism. If it’s true for any artist, then the scandal isn’t her intensity; it’s the expectation that she should dilute it to be liked.
The subtext is about control. Streisand built a career not just performing but shaping the product - recording, directing, producing - and control is precisely what gets recoded as “difficult” when you’re not supposed to have it. “Searching for the details” points to the unglamorous labor audiences rarely see: retakes, mic placement, lighting, phrasing, pacing. She’s defending the invisible work that turns charisma into something repeatable.
Context matters: Streisand’s era rewarded women for being agreeable muses, not exacting authors. This line is a refusal to be managed by the adjectives that others use to manage her.
The intent is defensive but not apologetic. Streisand’s “I think” sounds modest, yet it’s really a quiet flex: I’m not arguing about my reputation, I’m arguing about the standard. By insisting that “obsession” is what “any artist” needs, she universalizes her behavior, stripping it of gendered exceptionalism. If it’s true for any artist, then the scandal isn’t her intensity; it’s the expectation that she should dilute it to be liked.
The subtext is about control. Streisand built a career not just performing but shaping the product - recording, directing, producing - and control is precisely what gets recoded as “difficult” when you’re not supposed to have it. “Searching for the details” points to the unglamorous labor audiences rarely see: retakes, mic placement, lighting, phrasing, pacing. She’s defending the invisible work that turns charisma into something repeatable.
Context matters: Streisand’s era rewarded women for being agreeable muses, not exacting authors. This line is a refusal to be managed by the adjectives that others use to manage her.
Quote Details
| Topic | Art |
|---|
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