"I've been doing this 17 years but I can tell you I have more websites now than I have ever had devoted to me or my past career or my character. When I got this show, I think I had two fans out there that had created websites on my behalf"
About this Quote
Fame used to be a scarce resource you could almost count: a couple of superfans, a few clippings, maybe a fan page built with too many GIFs. Robert Patrick is pointing at the moment that arithmetic breaks. Seventeen years into a working actor's career, he finally lands “this show” and suddenly his public self multiplies online, faster than he can manage or even recognize. It’s not just more attention; it’s a different kind of attention, outsourced to strangers with broadband.
The line is revealing because it frames the internet as both applause and annexation. Those “websites…devoted to me or my past career or my character” blur the boundaries between the man, his resume, and the roles he’s played. An actor already lives with a porous identity; the web makes it permanent, searchable, and crowd-authored. “Devoted” sounds flattering, but it also hints at fixation: biography as hobby, personality as collectible.
There’s an understated humility in the “two fans” detail, but the subtext is about power. The celebrity no longer controls the archive. Fans (and would-be fans) are now curators, critics, and mythmakers, building parallel versions of him that can outlast any performance. Patrick’s not lamenting success so much as clocking its new price: visibility that arrives as a swarm, not a spotlight.
The line is revealing because it frames the internet as both applause and annexation. Those “websites…devoted to me or my past career or my character” blur the boundaries between the man, his resume, and the roles he’s played. An actor already lives with a porous identity; the web makes it permanent, searchable, and crowd-authored. “Devoted” sounds flattering, but it also hints at fixation: biography as hobby, personality as collectible.
There’s an understated humility in the “two fans” detail, but the subtext is about power. The celebrity no longer controls the archive. Fans (and would-be fans) are now curators, critics, and mythmakers, building parallel versions of him that can outlast any performance. Patrick’s not lamenting success so much as clocking its new price: visibility that arrives as a swarm, not a spotlight.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
More Quotes by Robert
Add to List


