"I've been doing this for seven and a half years. I've been just bustin' it, trying to break in as an artist in this business. For me, it's still just about the work. I get the scripts and I'm all about that. I don't really even have an idea what that's going to be like"
About this Quote
Seven and a half years is an eternity in Hollywood time: long enough to learn the rules, short enough to still feel like you’re borrowing someone else’s chair. Josh Holloway’s line is built on that tension. He’s not selling a dream; he’s narrating the grind, in the plainspoken cadence of someone who’s spent more hours auditioning than celebrating. “Bustin’ it” isn’t poetic, but it’s the point: a blue-collar verb in a white-collar fantasy industry.
The intent is modesty with a spine. Holloway positions himself as worker first, brand second, at a moment when actors are expected to be mini-studios: tweeting, networking, cultivating “heat.” By saying “it’s still just about the work,” he claims seriousness without grandstanding. He’s also quietly refusing the celebrity script that treats recognition as the only plot twist that matters.
The subtext is anxiety disguised as discipline. “I get the scripts and I’m all about that” is less an aesthetic manifesto than a survival strategy: focus on what you can control when everything else is capricious. The final line - “I don’t really even have an idea what that’s going to be like” - punctures the bravado. It’s the honest admission that “breaking in” isn’t a finish line so much as a new kind of uncertainty: attention, pressure, and the risk of being known for something before you’ve decided who you are.
The intent is modesty with a spine. Holloway positions himself as worker first, brand second, at a moment when actors are expected to be mini-studios: tweeting, networking, cultivating “heat.” By saying “it’s still just about the work,” he claims seriousness without grandstanding. He’s also quietly refusing the celebrity script that treats recognition as the only plot twist that matters.
The subtext is anxiety disguised as discipline. “I get the scripts and I’m all about that” is less an aesthetic manifesto than a survival strategy: focus on what you can control when everything else is capricious. The final line - “I don’t really even have an idea what that’s going to be like” - punctures the bravado. It’s the honest admission that “breaking in” isn’t a finish line so much as a new kind of uncertainty: attention, pressure, and the risk of being known for something before you’ve decided who you are.
Quote Details
| Topic | Work Ethic |
|---|
More Quotes by Josh
Add to List



