"I've been taking longer to write stories lately"
About this Quote
A throwaway line that quietly telegraphs a whole philosophy of craft: Greg Egan admitting he’s been taking longer is less a confession of “writer’s block” than a quality-control report. Coming from a scientist who writes some of the most conceptually dense hard SF alive, “longer” reads like a proxy for “more rigorous.” It’s the voice of someone who treats fiction the way engineers treat bridges: if you can’t justify the load-bearing assumptions, you don’t ship.
The intent feels twofold. On the surface, it humanizes a writer whose work can look superhuman in its mathematical confidence. Underneath, it’s a statement about cost. Egan’s stories hinge on cleanly imagined consequences of physics, computation, and identity; as the real world’s science gets messier and more specialized, the research burden rises. So does the ethical burden: the sharper the speculative tool, the more damage a sloppy swing can do. Taking longer becomes a kind of intellectual humility.
There’s also a sly rebuke to a culture of speed. In an era of hot takes, rapid-release content, and algorithmic productivity, Egan’s timeline signals resistance: depth has a tempo, and it isn’t “weekly.” The subtext isn’t nostalgia; it’s an argument that the future demands patience. If your subject is the structure of reality, you can’t afford to be glib about it.
The intent feels twofold. On the surface, it humanizes a writer whose work can look superhuman in its mathematical confidence. Underneath, it’s a statement about cost. Egan’s stories hinge on cleanly imagined consequences of physics, computation, and identity; as the real world’s science gets messier and more specialized, the research burden rises. So does the ethical burden: the sharper the speculative tool, the more damage a sloppy swing can do. Taking longer becomes a kind of intellectual humility.
There’s also a sly rebuke to a culture of speed. In an era of hot takes, rapid-release content, and algorithmic productivity, Egan’s timeline signals resistance: depth has a tempo, and it isn’t “weekly.” The subtext isn’t nostalgia; it’s an argument that the future demands patience. If your subject is the structure of reality, you can’t afford to be glib about it.
Quote Details
| Topic | Writing |
|---|
More Quotes by Greg
Add to List

