"I've been through this fame thing before, when the band was big in '80, '81"
About this Quote
There is a particular kind of authority that comes from sounding unimpressed by your own mythology, and John Lurie leans into it. “I’ve been through this fame thing before” lands like a shrug with teeth: not a confession, not a boast, more like a preemptive boundary. The phrase “fame thing” deliberately cheapens the concept, turning what the culture treats as destiny into an annoying phase you wait out, like a rash or a bad neighborhood.
The time stamp - “when the band was big in ’80, ’81” - does more than locate a memory; it frames fame as a brief weather event. Two years, not an era. That compression matters. It undercuts the modern narrative of constant visibility and suggests an older, downtown New York model of notoriety: scene-based, volatile, and easy to outgrow. By naming the years, Lurie signals receipts while also refusing nostalgia. He’s not romanticizing the past; he’s setting a precedent for survival.
The subtext is self-protection. Lurie’s career has always lived at the intersection of art-world credibility and pop-cultural extraction: the moment when the “band” becomes a story other people want to own. This line warns the listener that he’s not available for the usual fame script - the endless retelling, the gratitude performance, the identity glued to a peak. He’s been there, he knows the price, and he’s already walked out.
The time stamp - “when the band was big in ’80, ’81” - does more than locate a memory; it frames fame as a brief weather event. Two years, not an era. That compression matters. It undercuts the modern narrative of constant visibility and suggests an older, downtown New York model of notoriety: scene-based, volatile, and easy to outgrow. By naming the years, Lurie signals receipts while also refusing nostalgia. He’s not romanticizing the past; he’s setting a precedent for survival.
The subtext is self-protection. Lurie’s career has always lived at the intersection of art-world credibility and pop-cultural extraction: the moment when the “band” becomes a story other people want to own. This line warns the listener that he’s not available for the usual fame script - the endless retelling, the gratitude performance, the identity glued to a peak. He’s been there, he knows the price, and he’s already walked out.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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