"I've been to a number of places and seen for myself the caliber of people who are in the Navy today - in all the services for that matter. This is an altogether different bunch. These people of today are really bright, young, good people"
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Borgnine’s praise lands with the particular authority of a guy who looks like he’s seen everything, because he kind of has. Before he was the gruff charm of mid-century Hollywood, he served in the U.S. Navy during World War II. So when he says he’s been “to a number of places” and has “seen for myself,” he’s not doing celebrity patriotism; he’s cashing in lived mileage. The line is built like a testimonial, not a slogan: firsthand observation, then a verdict on “caliber.”
The subtext sits in the phrase “an altogether different bunch.” Borgnine is quietly flipping a familiar generational script. Instead of the tired “kids these days” complaint, he’s offering a corrective: today’s service members are “really bright, young, good people.” That’s not just complimenting competence; it’s reframing the cultural image of the military away from caricatures of blunt-force masculinity or economic desperation. “Bright” signals education and adaptability, “young” keeps the stakes human, and “good” is a moral claim aimed at a public that’s often ambivalent about the institutions that send people into conflict.
Context matters: Borgnine is speaking as an actor whose career coincided with wars on screens and in headlines, and as a veteran watching an all-volunteer force evolve into a highly technical, professionalized military. The intent is respect, but also reassurance: whatever the politics of the moment, the people wearing the uniform deserve to be seen clearly, without cynicism or nostalgia.
The subtext sits in the phrase “an altogether different bunch.” Borgnine is quietly flipping a familiar generational script. Instead of the tired “kids these days” complaint, he’s offering a corrective: today’s service members are “really bright, young, good people.” That’s not just complimenting competence; it’s reframing the cultural image of the military away from caricatures of blunt-force masculinity or economic desperation. “Bright” signals education and adaptability, “young” keeps the stakes human, and “good” is a moral claim aimed at a public that’s often ambivalent about the institutions that send people into conflict.
Context matters: Borgnine is speaking as an actor whose career coincided with wars on screens and in headlines, and as a veteran watching an all-volunteer force evolve into a highly technical, professionalized military. The intent is respect, but also reassurance: whatever the politics of the moment, the people wearing the uniform deserve to be seen clearly, without cynicism or nostalgia.
Quote Details
| Topic | Military & Soldier |
|---|---|
| Source | Help us find the source |
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