"I've been to war, and it's not easy to kill. It's bloody and messy and totally horrifying, and the consequences are serious"
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Stone’s bluntness is doing two jobs at once: it’s a confession and a credibility play. By leading with “I’ve been to war,” he’s not just reporting experience, he’s staking out authority in a culture where war is too often mediated through recruitment ads, prestige dramas, and a safe distance. The sentence is built like a rebuttal to Hollywood’s usual grammar of combat - the clean shot, the heroic arc, the tidy enemy. He refuses that comfort.
The phrasing is deliberately uncinematic. “Not easy to kill” undercuts the macho myth that violence is instinctive or exhilarating; it suggests hesitation, training, fear, and the psychological machinery required to make ordinary people do extraordinary harm. Then he piles on tactile adjectives - “bloody and messy” - language that drags the listener out of abstraction and back into bodies. “Totally horrifying” risks sounding generic, but paired with the earlier specificity it reads like someone reaching for the simplest words because the precise ones are unbearable.
The final clause, “the consequences are serious,” lands like a prosecutorial closing statement. It widens the frame from the moment of killing to the long tail: trauma, grief, moral injury, political blowback. Coming from Stone - a Vietnam veteran turned director whose films (Platoon, Born on the Fourth of July) are basically arguments with American self-mythology - the subtext is clear: if you’re treating war as spectacle, you’re already participating in the lie.
The phrasing is deliberately uncinematic. “Not easy to kill” undercuts the macho myth that violence is instinctive or exhilarating; it suggests hesitation, training, fear, and the psychological machinery required to make ordinary people do extraordinary harm. Then he piles on tactile adjectives - “bloody and messy” - language that drags the listener out of abstraction and back into bodies. “Totally horrifying” risks sounding generic, but paired with the earlier specificity it reads like someone reaching for the simplest words because the precise ones are unbearable.
The final clause, “the consequences are serious,” lands like a prosecutorial closing statement. It widens the frame from the moment of killing to the long tail: trauma, grief, moral injury, political blowback. Coming from Stone - a Vietnam veteran turned director whose films (Platoon, Born on the Fourth of July) are basically arguments with American self-mythology - the subtext is clear: if you’re treating war as spectacle, you’re already participating in the lie.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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