"I've been trying to avoid goal-oriented behavior"
About this Quote
In a culture that treats ambition like cardio, Laurie Anderson’s line lands like a small act of sabotage. “I’ve been trying to avoid goal-oriented behavior” isn’t a confession of laziness; it’s a deliberate refusal of the productivity script that turns every day into a checklist and every self into a brand. The phrasing matters: “trying” signals discipline, not drift. Avoiding goals becomes its own practice, almost a counter-ritual to the cult of measurable outcomes.
Anderson’s work has long lived in the spaces where categories blur: performance art that borrows from pop, music that behaves like storytelling, technology used as a poetic instrument rather than a solution. In that context, goal-orientation looks less like virtue and more like a narrowing device. Goals imply a finish line; her art is built for the ongoing, the iterative, the weird detours that don’t justify themselves in advance. The subtext is an argument for attention over achievement: stay responsive, stay porous, don’t rush to convert experience into “results.”
It also reads as a quiet critique of the managerial mindset that seeped into creative life: grant applications, audience metrics, platform strategy. For an artist whose voice often observes modern life with deadpan clarity, avoiding goal-oriented behavior is a way to protect the fragile conditions where something unexpected can happen. It’s not anti-purpose; it’s anti-teleology. A reminder that making meaning isn’t the same thing as hitting targets, and that art’s most valuable outcomes are often the ones you couldn’t have planned.
Anderson’s work has long lived in the spaces where categories blur: performance art that borrows from pop, music that behaves like storytelling, technology used as a poetic instrument rather than a solution. In that context, goal-orientation looks less like virtue and more like a narrowing device. Goals imply a finish line; her art is built for the ongoing, the iterative, the weird detours that don’t justify themselves in advance. The subtext is an argument for attention over achievement: stay responsive, stay porous, don’t rush to convert experience into “results.”
It also reads as a quiet critique of the managerial mindset that seeped into creative life: grant applications, audience metrics, platform strategy. For an artist whose voice often observes modern life with deadpan clarity, avoiding goal-oriented behavior is a way to protect the fragile conditions where something unexpected can happen. It’s not anti-purpose; it’s anti-teleology. A reminder that making meaning isn’t the same thing as hitting targets, and that art’s most valuable outcomes are often the ones you couldn’t have planned.
Quote Details
| Topic | Live in the Moment |
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