"I've been very fortunate. I feel very thankful. I've been able to come home and do some fun things and make it exciting for people here at home"
About this Quote
Clemens is doing what veteran stars learn to do almost as carefully as they learn to pitch: framing a return not as a victory lap, but as a gift exchange with the hometown crowd. The line is studded with softeners: “fortunate,” “thankful,” “fun things,” “exciting.” It’s the language of a public figure trying to make his presence feel additive rather than extractive, especially in a sport where comebacks and homecomings are rarely innocent.
The specific intent is reassurance. By centering gratitude, he sidesteps the harder questions that tend to trail elite athletes: why now, for what price, and with what baggage. “Able to come home” casts the moment as destiny and belonging, not negotiation or brand strategy. “Here at home” isn’t just geography; it’s an appeal to communal ownership. The audience isn’t merely spectators buying tickets. They’re the “people” he wants to “make it exciting” for, a subtle repositioning of his legacy as service rather than self-mythology.
The subtext is reputation management. Clemens’ era of baseball is inseparable from scrutiny, cynicism, and the sense that greatness came with an asterisk-shaped cloud. In that climate, “fun” becomes a strategic word: it lowers the stakes, dilutes the investigative vibe, and invites fans to suspend suspicion in favor of entertainment. He’s asking to be received less like a defendant and more like a returning hero - or at least a familiar showman - and he’s smart enough to make the crowd feel like the beneficiary of the deal.
The specific intent is reassurance. By centering gratitude, he sidesteps the harder questions that tend to trail elite athletes: why now, for what price, and with what baggage. “Able to come home” casts the moment as destiny and belonging, not negotiation or brand strategy. “Here at home” isn’t just geography; it’s an appeal to communal ownership. The audience isn’t merely spectators buying tickets. They’re the “people” he wants to “make it exciting” for, a subtle repositioning of his legacy as service rather than self-mythology.
The subtext is reputation management. Clemens’ era of baseball is inseparable from scrutiny, cynicism, and the sense that greatness came with an asterisk-shaped cloud. In that climate, “fun” becomes a strategic word: it lowers the stakes, dilutes the investigative vibe, and invites fans to suspend suspicion in favor of entertainment. He’s asking to be received less like a defendant and more like a returning hero - or at least a familiar showman - and he’s smart enough to make the crowd feel like the beneficiary of the deal.
Quote Details
| Topic | Gratitude |
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