"I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's up to you, the only limit is the imagination"
About this Quote
There is something bracingly democratic in Steve Lacy framing a lifetime of technical grind as an open door, not a closed club. The soprano saxophone has a reputation: finicky intonation, a piercing timbre that can turn shrill fast, an instrument that exposes you. Lacy spent decades making that exposure sound like clarity. So when he says he has been working on it for 40 years, the flex is muted on purpose. It is less “look what I mastered” than “this thing is bigger than mastery.”
The key move is the pivot from authority to invitation. Lacy establishes credibility with time served, then refuses to hoard the result. “The possibilities are astounding” isn’t boosterism; it’s a musician testifying to an instrument that still won’t sit still. In jazz, the most convincing optimism is hard-won, delivered with the knowledge that improvisation is equal parts freedom and discipline. Lacy’s subtext is that limitation is the engine: the soprano’s narrow margins force you to listen harder, shape tone more carefully, commit to every note.
“It’s up to you” lands as both encouragement and challenge. He’s quietly telling younger players that there is no final method, no canonical sound to copy, not even his. Coming from a figure associated with the avant-garde and with relentless focus (including deep work on Monk’s language), the line also rebukes passive consumption. The “only limit” isn’t gear, gatekeepers, or genre; it’s the willingness to imagine, then to practice until imagination becomes audible.
The key move is the pivot from authority to invitation. Lacy establishes credibility with time served, then refuses to hoard the result. “The possibilities are astounding” isn’t boosterism; it’s a musician testifying to an instrument that still won’t sit still. In jazz, the most convincing optimism is hard-won, delivered with the knowledge that improvisation is equal parts freedom and discipline. Lacy’s subtext is that limitation is the engine: the soprano’s narrow margins force you to listen harder, shape tone more carefully, commit to every note.
“It’s up to you” lands as both encouragement and challenge. He’s quietly telling younger players that there is no final method, no canonical sound to copy, not even his. Coming from a figure associated with the avant-garde and with relentless focus (including deep work on Monk’s language), the line also rebukes passive consumption. The “only limit” isn’t gear, gatekeepers, or genre; it’s the willingness to imagine, then to practice until imagination becomes audible.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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