"I've been writing full-time since 1978"
About this Quote
There is a quiet flex in that date: 1978. Alan Dean Foster isn’t bragging about genius or inspiration; he’s staking a claim to durability. “Full-time” is the operative phrase, a blue-collar word in a field that still sells itself on muse mythology. The line works because it treats authorship less like a rarefied calling and more like a practiced trade - showing up, delivering, getting paid, doing it again. In a culture that romanticizes the struggling artist, Foster’s understatement reads like a rebuke: the job is real, the bills are real, and the work is relentless.
The subtext is also about invisibility. Foster is a pillar of franchise and tie-in fiction, a corner of publishing that’s wildly consumed and routinely dismissed. Saying he’s been full-time since 1978 is a reminder that the “minor” literature people sneer at can, in fact, build a major career. It signals professional competence in an industry notorious for volatility - where most writers patch together teaching, journalism, day jobs, or spouse-supported time.
Context matters: 1978 sits near the expansion of mass-market paperbacks and the post-Star Wars boom in media-related storytelling, exactly the ecosystem where Foster thrived. The sentence becomes a compact history of commercial genre writing in America: not glamorous, not always credited, but astonishingly steady. It’s a résumé line that doubles as cultural critique: longevity is its own form of authority, even when the gatekeepers pretend not to see it.
The subtext is also about invisibility. Foster is a pillar of franchise and tie-in fiction, a corner of publishing that’s wildly consumed and routinely dismissed. Saying he’s been full-time since 1978 is a reminder that the “minor” literature people sneer at can, in fact, build a major career. It signals professional competence in an industry notorious for volatility - where most writers patch together teaching, journalism, day jobs, or spouse-supported time.
Context matters: 1978 sits near the expansion of mass-market paperbacks and the post-Star Wars boom in media-related storytelling, exactly the ecosystem where Foster thrived. The sentence becomes a compact history of commercial genre writing in America: not glamorous, not always credited, but astonishingly steady. It’s a résumé line that doubles as cultural critique: longevity is its own form of authority, even when the gatekeepers pretend not to see it.
Quote Details
| Topic | Writing |
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