"I've been writing Indian music for a while. Indian music is about Mother Earth, and mine is no exception"
About this Quote
There is a deliberate bait-and-switch in Jimmy Carl Black's line: he opens with "Indian music", inviting the listener to picture ragas, tabla, and a reverent tradition. Then he snaps the frame into place with "Mother Earth", a phrase that, in English-speaking pop culture, often codes less for a specific musical lineage and more for late-60s counterculture spirituality. The ambiguity is the point. Black isn't offering an ethnomusicology lecture; he's staking a vibe-claim, asserting authenticity through a borrowed shorthand.
The intent feels twofold. First, it's branding: "I've been writing... for a while" suggests craft and continuity, not a passing flirtation with exotic sounds. Second, it's an ethical posture: invoking Mother Earth positions the music as grounded, ecological, even morally awake. "And mine is no exception" is the slyest part, a casual shrug that implies a shared, almost mandatory orientation. If you're making "Indian" (read: spiritually keyed) music, you're expected to be in communion with the planet.
Subtext rides the era's hunger for roots and revelation, when Western rock musicians raided non-Western signifiers to escape what they saw as plastic modernity. It's sincere, but also opportunistic: "Mother Earth" becomes a universal solvent that dissolves cultural specificity into a feel-good cosmology. The line works because it compresses aspiration and self-mythology into plain speech, letting the audience hear both the earnest environmental mystic and the band guy winking at how easily a genre label can carry a whole worldview.
The intent feels twofold. First, it's branding: "I've been writing... for a while" suggests craft and continuity, not a passing flirtation with exotic sounds. Second, it's an ethical posture: invoking Mother Earth positions the music as grounded, ecological, even morally awake. "And mine is no exception" is the slyest part, a casual shrug that implies a shared, almost mandatory orientation. If you're making "Indian" (read: spiritually keyed) music, you're expected to be in communion with the planet.
Subtext rides the era's hunger for roots and revelation, when Western rock musicians raided non-Western signifiers to escape what they saw as plastic modernity. It's sincere, but also opportunistic: "Mother Earth" becomes a universal solvent that dissolves cultural specificity into a feel-good cosmology. The line works because it compresses aspiration and self-mythology into plain speech, letting the audience hear both the earnest environmental mystic and the band guy winking at how easily a genre label can carry a whole worldview.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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