"I've been writing songs since I was 14 years old, and that's my true love"
About this Quote
There’s a quiet defiance in Springfield’s phrasing: not “my career,” not “my gift,” not even “my passion,” but “my true love.” For a musician most people file under a single era and a single hit, that choice reads like an insistence on depth against the flattening effect of pop memory. He’s not auditioning for sympathy; he’s staking a claim. The timeline matters. “Since I was 14” is a credential, but it’s also an alibi: I was doing this before the fame, before the branding, before you decided what I am.
The subtext is a familiar pop-star friction: the public often treats songs as products and musicians as the faces attached to them. Springfield re-centers the work itself as the primary relationship. That’s a strategic move for someone whose image was shaped by teen-idol visibility and MTV-era packaging. Saying songwriting is his “true love” subtly demotes everything else - touring grind, celebrity, even acting cameos - to secondary status. It’s a reminder that the labor of pop isn’t just performance; it’s craft, repetition, private obsession.
The line also dodges sentimentality by being almost plainspoken. No myth-making about inspiration striking, no tortured-artist flourish. Just duration and devotion. In an industry that rewards reinvention and punishes aging, emphasizing a lifelong practice is both personal and political: I’m still here because the songs are still here, and I’m not done.
The subtext is a familiar pop-star friction: the public often treats songs as products and musicians as the faces attached to them. Springfield re-centers the work itself as the primary relationship. That’s a strategic move for someone whose image was shaped by teen-idol visibility and MTV-era packaging. Saying songwriting is his “true love” subtly demotes everything else - touring grind, celebrity, even acting cameos - to secondary status. It’s a reminder that the labor of pop isn’t just performance; it’s craft, repetition, private obsession.
The line also dodges sentimentality by being almost plainspoken. No myth-making about inspiration striking, no tortured-artist flourish. Just duration and devotion. In an industry that rewards reinvention and punishes aging, emphasizing a lifelong practice is both personal and political: I’m still here because the songs are still here, and I’m not done.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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