"I've brought my daughters all over the world-they travel with me. I drag them out of school just to keep the relationship. When I'm home I'm a big-time daddy"
About this Quote
There is a particular kind of show-business candor in Assante admitting he "drag[s]" his daughters out of school: the verb is almost proudly crude, as if to preempt the judgment he knows is coming. He’s not selling an ideal; he’s bargaining in public. The line reads like a defense delivered before the indictment lands, framed by the realities of an actor’s life where location shoots, press tours, and irregular schedules turn parenting into logistics.
The intent is plain: normalize an unconventional choice by recasting it as devotion. "They travel with me" is the glossy version; "I drag them out of school" is the backstage truth. That tension is the engine of the quote. He’s asking the audience to accept that presence can outweigh routine, that intimacy can be built in transit, not just in stability. It’s also an attempt to seize moral control of a narrative that often paints working fathers as absent and working mothers as negligent. Assante leans into a masculine archetype - the provider whose love is measured in proximity and effort, not in perfect adherence to institutional norms.
"When I'm home I'm a big-time daddy" lands with a performer’s rhythm: a punchy, self-mythologizing closer that admits the compensatory nature of the role. "Big-time" suggests both intensity and guilt - parenting as a high-volume comeback tour. The subtext is less "family first" than "family, negotiated", and it works because it refuses to pretend the trade-offs aren’t real.
The intent is plain: normalize an unconventional choice by recasting it as devotion. "They travel with me" is the glossy version; "I drag them out of school" is the backstage truth. That tension is the engine of the quote. He’s asking the audience to accept that presence can outweigh routine, that intimacy can be built in transit, not just in stability. It’s also an attempt to seize moral control of a narrative that often paints working fathers as absent and working mothers as negligent. Assante leans into a masculine archetype - the provider whose love is measured in proximity and effort, not in perfect adherence to institutional norms.
"When I'm home I'm a big-time daddy" lands with a performer’s rhythm: a punchy, self-mythologizing closer that admits the compensatory nature of the role. "Big-time" suggests both intensity and guilt - parenting as a high-volume comeback tour. The subtext is less "family first" than "family, negotiated", and it works because it refuses to pretend the trade-offs aren’t real.
Quote Details
| Topic | Father |
|---|---|
| Source | Help us find the source |
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