"I've done a lot of albums and I kinda know when I'm onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album"
About this Quote
There’s a veteran’s quiet flex baked into this: not the loud kind that needs mythmaking, but the authority of repetition. Lee Ritenour isn’t selling you novelty; he’s selling you a radar he’s built over decades. “I’ve done a lot of albums” reads like a shrug, yet it’s also a credential. The subtext is, I’ve made enough records to know the difference between competent work and the rare sessions that actually move the needle for me.
What makes the quote work is how it frames inspiration as a studio event, not a lightning strike. “Record and create” points to process: the take, the arrangement, the sound choices, the small decisions that turn chops into a mood. For a jazz/fusion guitarist whose career has often been about craft, collaboration, and tone, that’s telling. He’s not romanticizing suffering or genius; he’s describing joy as a production condition. That’s a cultural pivot from the tortured-artist script to the working musician’s truth: inspiration can be a reliable signal that you’re in the right room with the right material.
“Kinda know” is doing strategic work, too. It softens the claim, keeps it human, and makes the confidence feel earned rather than branded. The line lands as an invitation to listen for the evidence. If he “really enjoyed making the album,” he’s implying the audience might hear that pleasure in the grooves: a looseness, a generosity, a sense of play that can’t be faked by technique alone.
What makes the quote work is how it frames inspiration as a studio event, not a lightning strike. “Record and create” points to process: the take, the arrangement, the sound choices, the small decisions that turn chops into a mood. For a jazz/fusion guitarist whose career has often been about craft, collaboration, and tone, that’s telling. He’s not romanticizing suffering or genius; he’s describing joy as a production condition. That’s a cultural pivot from the tortured-artist script to the working musician’s truth: inspiration can be a reliable signal that you’re in the right room with the right material.
“Kinda know” is doing strategic work, too. It softens the claim, keeps it human, and makes the confidence feel earned rather than branded. The line lands as an invitation to listen for the evidence. If he “really enjoyed making the album,” he’s implying the audience might hear that pleasure in the grooves: a looseness, a generosity, a sense of play that can’t be faked by technique alone.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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